Hello. I’d Like to Introduce Myself

It’s October 14, 4:44 pm, on a sunny afternoon with a light breeze, and I’m currently enjoying my daily walk along the Swamp Rabbit Trail in my hometown of Greenville, South Carolina. It came to my attention a few moments ago that I’ve got some explaining to do. I owe it to you, but even more so to myself. I’ve written many times as my alter ego, Modest Psychic of Magenta Sea, but I’ve never taken the time to properly introduce myself both in origin and purpose. So let’s take a few minutes to put the rumors to rest. Yes. I can see things before they happen. Yes. I decipher rhythms and reverberations across space time. Yes. I have not experienced a creative block in over three years. No blocks whatsoever. How is this possible? I must be joking, right? It’s not as impossible as it sounds. It’s actually rather simple once we map our algorithm.

I have fully activated my intuition, imagination, and intellect combining them into a force, a triad, of monumentally exponential proportions. Sunrise is warmer. Majestic. Starry skies are brighter. Gleaming. There’s an understanding breath of God found there across the cosmos, but also within each of us. We were born from pure starlight. We’re never alone nor blind in the dark. That’s where truth lies hidden until we’re ready to combine the two into one. The less I look the more I see. God has always been my friend since before I was born a full month early. He told me the meaning of life was that this current life is all about boot camp. He also reminds me quite often I have never required a church, pastor, preacher or any other mediator in order to convene with Him.

What is a Modest Psychic of Magenta Sea? It’s a three-fold story that began with Apple. Years ago I was assigned the monicker as my Game Center gaming tag. Little did I know what it became to mean once my mind awakened three years ago free from lithium’s curse. My daughter knows my truth and even made me some amazing hand-drawn stickers for my birthday. A hot sauce bottle, a UGA G logo, and a wizard wearing a robe covered in eyes floating above a magenta ocean on a breezy day. Yesterday under the early autumn sun I had another awakening.

At 4:44 just by chance, of course, while walking on the Swamp Rabbit Trail I revealed to myself what exactly is a Modest Psychic of Magenta Sea. It is, quite simply, the key to my life path. Through activated intuition, imagination, and intellect I’ve arrived at a complete mind soaring across skies of endless stars. Let’s take a look at that time, 4:44 pm. This number is associated with protection, guidance, and support. It informs one’s own divine path as being on course and true. The number 444 is often seen as a spiritual sign associated with protection, guidance, and encouragement.

Quite appropriate that I was mentally processing, digging deeper into the origin of my own nickname. 444 is believed to symbolize balance, stability, and harmony, suggesting that one is on the right path and supported by divine forces. Three years ago I asked God to show me “blatant signs” that I was, in fact, on the right path. The next morning He responded with a barbaric “Yawp!” Just as the compass rose guides ships at sea, the lighthouse alerts them during stormy seas. On maps lighted buoys are shown as magenta discs, or flares.

These flares are also used to mark lighthouses and other fixed pilings or structures. They have no nautical direction as they are fixed in place. Compass roses are typically shown in the color magenta on navigation maps. Magenta stands out better than red. Magenta is a nautical purple. A red or blue night light is used on boats and ships, and magenta is much easier to see in this night light according to Captain John on YouTube. By navigating my own magenta flares I am made aware each time I pass one along my journey. It’s no mere accident, and certainly no coincidence. Happy accidents abound resounding, concluding that my efforts were well spent. Being able to decode their riddles certainly assists with my design efforts. It’s funny that sometimes I see the solution in my mind. Then, once complete, I notice other little niceties.

I live following happy accidents revealed by these markers and guideposts, predominantly when I intervene to influence their outcome. They reveal patterns to me everywhere I traverse. Sometimes I follow them on a mind bending chase down the rabbit hole. But sometimes, sometimes they reveal more truths about myself. How we all relate to the universe, also us as a whole entity. I revel in these daily discoveries. I’m just following what my senses have begun deciphering just moments before I awoke. That’s when I see reality in its most pure form before the distractions attempt to taunt and confuse my thoughts. I’ve gotten better at keeping them at bay, but I needed to apply a stronger defense. The solution was simple, clear. Unplug and don’t look back. Inhale deeply. Then exhale. Now I can breathe again.

Recently I closed the doors on my social media presence, and it’s been the mostly rewarding experience of true freedom from the ghosts in the machine. Those ghosts have evolved into phantoms preying on our very lives. Suicide is front and center more now than ever before. There’s no going back to that way of life riddled with anxiety and depression fueled by the negative, dark forces now steering the social narratives. I am fifty-three years old and have nothing to prove to anymore, even myself. Every day I consistently show up to be my own creator of worlds. These worlds are those I want to see and share with you. The places I want to call home. Endless streams of ignited gray matter floating southward into the deepest recesses of my imagination.

There’s so much more to life than meets the eye. The truth is out there. It’s not hiding, but only a small handful of us can see it. We had to make the decision to leave the streaming socials and find focus among what is unseen. What’s seen is temporary. Unseen is eternal. It’s quite the opposite of look at me social media. That existence craving attention locks us into prisons of the mind. Limited. There is hope if we’re willing to accept the consequences. Once we’re willing to see reality for what it truly is there’s no closing our eyes again. It hasn’t been easy to be able to see everything. Pair that with my INFJ DNA. Limitless.

An INFJ master manipulator is also a natural born master detective. What is INFJ? According to the Meyers-Briggs system’s indication the INFJ personality type is the rarest, sporting just 1.5% of the world’s population, and also my own. Introverted. Intuitive. Feeling. Judging. It’s a difficult way of life compared to many others with more common designations. INFJs are known to have severe difficulty with large groups of people. I get disoriented and seek solace in solitude. Even artificial intelligence has a difficult time parsing the elusive INFJ.

My mind has expanded over the past three years so exponentially that I can't even compare it with any manic or hypomanic delusion of grandeur or hallucination nor any sort of drug induced revelation. It’s just there and it's ablaze, but I don't get burnt anymore. I actually have the ability to raise and lower the flame. It all depends on how much I feed it with pure oxygen. It’s all in the breath. Learn to breathe, and you’ll be able to birth your own imagination into a reality beyond an previous conception. Trust me. It’s such a satisfying place to be. Freeing our minds is the first step to true enlightenment. This isn’t fringe. It’s front and center. There’s no way to ascend without removing the tethers holding you down. Remember, you weren’t born with them. They’re man-made and brittle.

We have to rise out of it. We have to stop in the midst of all of it and center our mind on our breath. The next time we open our eyes while coming out of this meditative state we will witness that we’ve risen. We’ve flown right out of that pit on our own breaking free of any gravitational force that worked against us. Say adieu to anxiety and deeply depressive states that no amount of meds and therapy can rescue us from. Escape that bottomless pit. We can’t climb out of it using any earthly means. We must first admit it exists. Then we are equipped to rise out of it. Our wings weren’t clipped at birth. They were hidden.


Graphic Design Legends: Herb Lubalin

Herb Lubalin, born in New York in 1918, was known as an instigator. He was seventeen when he began attending The Cooper Union and immediately found a fondness for fonts. He called himself out as being “terrible, because I don’t follow the rules.” His design approaches possessed a living, breathing presence. He was truly a type designer force to be reckoned with. He designed lettering, logotypes, typography, packaging, posters, magazines, and annual reports. He reimagined The Saturday Evening Post magazine in 1961. The Americana artist, Norman Rockwell, painted a cover depicting Lubalin as redesigning the Post, for its rebirth. What a creative way to introduce the new look.

I love Lubalin’s understated sensibility by shortening the name to simply “Post,” now much larger and easier to stand out at the newsstand. He diminished the words “The Saturday Evening” shrinking and placing them inside the O. It reminds me of the first exhibition checklist I ever designed as an intern at Georgia Museum of Art. Honoring Art and Margo Rosenbaum, titled simply “ShOut!” where I gave the O its own voice. I fully appreciate his fondness for playful, stylish combinations. His masterful ligatures were visually captivating and found their homes all amongst the 1960’s zeitgeist. His curves breathed with a soul.

In 1964 he collaborated with Coca-Cola and designed the playful branding for their new beverage, Sprite. In a rare move he spoke out against the company as serving up products that promoted “tooth decay, nausea, and mutated offspring” in Fact magazine. Oddly enough, Coca-Cola continued working with him. His involvement with Fact and two other standout magazines cemented his design sensibilities as ushering in a new era of graphic design. No longer type and image. Now, type treated as its own image of expression.

Regardless of being born color blind, Herb Lubalin’s handiwork was everywhere from newsstands to grocery stores during the 1960s and 1970s. His unique typographic stylings were unmistakably his own. Lubalin designed the logo mastheads for Eros, Fact, and Avant Garde magazines. He worked alongside his editor and publisher Ralph Ginzburg. Erosbroached the topics of eroticism and after only four issues placed Ginzburg in jail for publishing “obscene material” according to the status quo. Ironically Eros won more awards in 1963 among the thousands of other magazines produced that year.

By standing out against the norm of the times its reputation led to Fact in 1964 and Avant Garde in 1968. They didn’t have long runs, but they made a significant impact on the culture and face of graphic design. I love the fact that Avant Garde magazine had a square format yet was nowhere near a square’s magazine. Square formats give structure that sometimes needs to be shaken and distressed by elements breaking its restrictive bounds. I also incorporated square formats into a handful of my exhibition checklists and hardcover texts during my nearly two decades with Georgia Museum of Art and also for The Weather Channel global weather calendar design. I’d break the design’s grid system by allowing the typography to get cut off at the edges of the page.

I also appreciate the investigative, detective-style mission of Fact calling out brands like Coca-Cola for their true missions to sell their goods to Americans regardless of how additive and dangerous their product recipes reveal. Yet among the three I have to admit Eros caught my attention due to its risqué nature and my fondness for the unfettered human form. The fact that Ginzburg served jail time and was given the most attention for its design accomplishments just sweetens the magazine’s legacy. Plus the Post redesign’s Norman Rockwell cover illustration was such a classy move. Hats off to you gentlemen.

Lubalin’s swashbuckling, hand-lettered sensibilities garnered him a reputation as a graphic design rebel with a real cause noting that “Sometimes you sacrifice legibility to increase impact.” This perspective is so true. If we, as designers, can captivate our audience by allowing them to linger for just another moment or two, we have the power to plant these brands into their subconscious. When not given careful enough attention, this concept may backfire as it has more often in recent times especially among automotive logo design.

I do wonder what he would think about the redesigned KIA logo. While it does possess a unique, everlasting quality, it reads as a K and a backwards N. Even Google searches for “what is the KN car?” spread like wildfire when it was introduced to the public. Legibility, when handled carefully, leads to longevity and brand recognition. The gift of timelessness in communication and brand recognition has the capacity to grant a brand immortality.

Lubalin famously observed that “You can do a good ad without good typography, but you can’t do a great ad without good typography.” He fully believed that “Typography can be as exciting as illustration and photography.” He proved this in every hand-lettered ligature lockup masthead he designed. His iconic style stood out against the rest of the graphic design cultural landscape influencing future designers to bend and more importantly, break the rules. This concept remained the most enigmatic lesson I learned at SCAD and UGA’s Graphic Design School. We learn the rules so it becomes quite clear how easily it is to break them. They have no power or influence over the design that freely flows from the immense minds our collective imaginations.

Lubalin’s first typeface he designed in collaboration with John Pistilli, called Pistilli Roman. In 1970 Lubalin co-founded ITC, International Typeface Corporation, and U&lc, Upper and lowercase magazine with prolific graphic designer Aaron Burns. Lubalin co-designed ITC Avant Garde, a further progression of his masthead logotype for Avant Garde magazine, with Tom Carnase. Lubalin also co-designed ITC Serif Gothic with Tony Di Spigna. Lubalin designed ITC Lubalin Graph, a slab version of Avant Garde Gothic. It was drawn by Tony Di Spigna and Joe Sundwall. Ed Benguiat rendered the oblique versions. A bold version was created for three episodes of the Public Broadcasting Service support of their 1974–1975 U&lc promotional campaign.

Among his hundreds of designs his “Seventy-two” holiday card design is one I cherish the most. Elegant simplicity in form, function, and format. This 9x9 square ambigram holiday card was designed by Lubalin and Tom Carnese. It was sent out to clients of Lubalin, Smith, and Carnese celebrating the 1971 holidays. As I’ve mentioned before seventy-two is my lucky number. I was born in 1972 as well. My Vinson logotype also has two dots and seven parts purely by chance. My “Celebrating 27 Years of Crop Marks and Keyframes” graphic also revealed two occurrences of the same number when I finished the design. Does this  seem a bit spooky? Nah.

Another thing I noticed about Herb Lubalin was his birth and death dates are mirrored. Born in 1918 and passed away in 1981. It’s little accents like this that mark many an artist’s lifetime legacy. It’s quite clear now that his color blindness may have guided his genius. He fully understood the Yin & Yang language of light and dark spaces. I did the same in AP Art.

During my senior year in high school I took AP Art with “stencils across all media” as my concentration. This process gradually trained my eyes how to see the positive and negative spaces simultaneously. The interplay of black and white and positive and negative pairings.

The better people communicate, the greater will be the need for better typography — expressive typography.

— Herb Lubalin, Graphic Designer, Typographer, Type Designer, Letterer


Where is 3D Obscuration in Maxon’s Real Lens Flares?

Does anyone else wonder why Maxon completely phased out Knoll Light Factory? A very basic version still exists in Maxon’s Red Giant Universe. Their latest lens flare tool nearly replaces KLF, but is still missing a key feature that truly made Knoll 3D Flare, a free extension to KLF, a true game-changer. K3DF was built upon a concept I came up with one night in a hotel in Boston while training the talented designers and producers at New England Sports Network.

I emailed Aharon at Red Giant Software the concept project I created that included some JavaScript code I borrowed from Dan Ebberts’ website MotionScript. Aharon responded quickly and said Red Giant wanted to pursue these features that I had built with the concept project. They knew Optical Flares was nearing completion and that it promised 3D features and multiple lights integration in Adobe After Effects.

When Aharon Rabinowitz, Dan Ebberts, and I were in the midst of working out features for Knoll 3D Flare during the Fall of 2009 we stumbled across a hidden gem. We weren’t sure if it was even possible, but Dan tinkered away with the code that turned out to not be that complex. The feature I’m talking about is 3D Obscuration. I am building an example of this now showing how a light can seamlessly be occluded and even inherit multiple layer RGB values and transparencies without any need for multiple instances. This feature saved hours of time. It felt like black magic or some kind of digital voodoo. Wink ; )

The best feature that we cooked up for Red Giant’s Knoll Light Factory continues to be omitted from Maxon’s Red Giant VFX Real Lens Flares. RLS surely delivers when it comes to rendering realistic lens flares and the lens schematic is super cool, but it’s rather sluggish just like Knoll Light Factory v3. Knoll Light Factory 2.7 was snappy, rendered quickly even in 16 and 32 bit mode in Adobe After Effects, and also acquired additional features with the free addition of Knoll 3D Flare.

We even beat Andrew Kramer’s Video Copilot to the punch. His impressive Optical Flares wasn’t available until January, 2010. We had finished up Knoll 3D Flare in the Fall of 2009. It still blows my mind that we designed, coded, and implemented major features in only one week. Near the end of that week we asked for one more feature seemingly on the surface to be too complicated to implement. Dan’s coding genius proved us wrong. I think he toiled with it for a couple of hours and had a working version by the end of the fourth day, Thursday. 3D Obscuration.

Now back to Real Lens Flares. Overall there are so many benefits even with the omission of 3D Obscuration. It’s not that uncommon for some features, no matter how powerful, to get cast aside. There was a feature in the original Knoll Lens Flare Pro called Spectacular. It allowed for flares to be auto-tracked onto Trapcode Particular particles. It was dropped when they updated the code because the rendering got much slower. When Knoll Light Factory reached v3 it was nearly unusable.

Assigning lights to flares is still buggy in RLF. It takes multiple tries to get it to work properly. When I created a new flare layer the Light option to track AE Lights assigned with a specific naming convention resulted in applying the flare to the wrong Light layer. Also rendering is rather slow which is one reason I’d bet why they dropped the 3D Obscuration checkbox feature from their final build. One last thing is that using my RTX 3090 on my Windows box gives me near real time feedback at full resolution. There used to be a checkbox in KLF for using GPU rendering.

I used Optical Flares for all of my custom flare work at NBA TV Design at Turner Broadcasting for six years, which was considerable. It was buggy and crashed a lot, but got the job done much faster than KLF3.

Now for the first time we have access to an accurate lens flare tool in Adobe After Effects. Knoll Light Factory, originally called Knoll Lens Flare Pro, has officially been replaced.

A few new features included are access to rendering in HDR and also ACES. This flare generator comes with heavy render times so Maxon included resolution options like “Production,” etc.

Real Lens Flares “Designer” interface closely resembles Knoll Light Factory, but with one exciting addition: a schematic view depicting the lenses used to create the flare.


Graphic Design Legends: Paul Rand

Throughout the entire history of graphic design communication I’ve always been drawn to Paul Rand’s clean, distilled solutions. My typography professor, Ronald Arnholm, at University of Georgia’s Graphic Design Program studied under Rand at Yale. Both of our series of works borrow brush strokes from our grand master of design.

— P A U L R A N D / P O R T F O L I O

While my primary reason in asking my parents for a computer was to play games, it’s my initial days playing around in Print Shop Deluxe that I clearly remember most. In 1985 Print Shop Deluxe and Ghostbusters were the most widely pirated software titles. When not playing pirated Commodore 64 games I’d peruse the dozens of font styles mesmerized by their various design cues. That was the moment that defined my future career pursuits in the graphic arts. I’d bet Paul Rand appreciated the simplified C64 logo as much as I did.

I’ve been obsessed with letterforms and ligatures since I was eleven. An afternoon I remember fondly was when Professor Arnholm commented on my own Vinson logo design. He mused “that will last a long time.” Rand could have designed it himself as my gentle Yin & Yang stenciled nature was quite apparent. Longevity dons a design immortal.

I haven’t changed my mind about modernism from the first day I ever did it…. It means integrity; it means honesty; it means the absence of sentimentality and the absence of nostalgia; it means simplicity; it means clarity.

— Lecture, A Paul Rand Retrospective, Cooper Union, Oct. 3, 1996


Graphic Design Legends: Erik Spiekermann

Good things really do come to those who wait. I didn’t discover Erik Spiekermann and his clean, versatile Meta font family from FontFont (FF) type foundry until after I graduated from University of Georgia’s School of Graphic Design in 1996. I first came across Spiekermann’s sans-serif FF Meta family consisting of Roman and small caps (SC) in Normal, Medium, Bold, and Black font weights while working at The Weather Channel (TWC) in the mid-1990s. One of the weather.com designers shared FF Meta Bold with me during a collaboration while we were designing new navigational icons for TWC’s website. I found FF Meta’s sans-serif form both functional and visually flattering when combined with contrasting ITC Legacy’s serif variations. Spiekermann’s FF Meta sans-serif family was released in 1991. Ron Arnholm, my typography professor at University of Georgia released ITC Legacy a year later in 1992.

— Erik Spiekermann, Founder of MetaDesign in 1979, Art Historian, Printer, Type Designer, Information Architect, and Author

Our first assignment in Typography class was to render a letterform freehand. Ron chose a Legacy Sans Medium Italic lowercase G noting it was one of the most challenging letters he designed for Legacy. He generously gifted us his ITC Legacy Sans and Serif Roman and SC superfamily after completing his Typography and Advanced Typography courses. While I was a graphic design intern at Georgia Museum of Art (GMOA) I incorporated ITC Legacy Sans Medium Italic for my first assignment. I designed a simple exhibition checklist for Art and Margo Rosenbaum’s “ShOut!” exhibition. I played pirate for a moment when I decided to double-italicize it to give it more energy thus bastardizing the font, but it was worth the gamble. Sometimes breaking the rules is worth its weight in Spades. The exhibit’s logotype immediately caught Bonnie Ramsey’s eye. She was The Director of Publications and Public Relations at GMOA, my boss, and my mentor.

A couple of years later as a freelance graphic designer for GMOA, I utilized FF Meta mixed with ITC Legacy Serif for a Down Under Aboriginal exhibition. This pairing won me a Gold award at Southeastern Museums Conference for “Artists of Utopia: Contemporary Australian Aboriginal Art.” Aboriginal adventures followed me as I connected my dots looking forward. Not only did I design an international Australian backpacking trail company called Outpack Aboriginal Adventures for my senior Graphic Design Portfolio project, but I also owned a boomerang, eventually owned two Subaru Outbacks, brought video production to the Mac at The Weather Channel with the D1 Desktop from Victoria, Australia, and I worked as the international technical support for the Australian digital video hardware company, Digital Voodoo. Let’s steer this sidetrack back to my nearly two decades with my family at GMOA.

While working alongside GMOA’s Bonnie Ramsey, Editor Jennifer DePrima, and Museum Director, William U. Eiland, lightning struck nearly a dozen times. I paired FF Meta and ITC Legacy Sans and Serif Roman and SC for nearly all of my exhibition checklists and texts for GMOA. When placed together they formed a rich visual contrast that gave my designs a particularly unique quality. A few years later I added Centaur MT to the mix. Centaur, a serif typeface by book and typeface designer Bruce Rogers, was based on Nicolas Jenson’s 1470 Renaissance-period printings. Combining Centaur MT with Legacy led to winning not only Gold, but Best in Show at SEMC. Now let’s pause on that note and get back to Erik Spiekermann’s influence on my early print and broadcast career. He designed ITC Officina Sans and ITC Officina Serif that I incorporated into the 1998 Weather Calendar for The Weather Channel. FF Meta Medium SC and FF Meta Bold made its way into new morning show launches including “First Outlook” and “Your Weather Today.”

Spiekermann, born in 1947, is a highly prolific graphic designer, typographer, and writer. Known for designing FF Meta, ITC Officina Sans and Serif, FF Unit, FF Info, FF Govan, Fira Sans with Ralph du Carrois for Firefox OS, among others, his humble design roots run deep. He paid his own way during his art history studies at Free University in Berlin, Germany, with a letterpress printing press in his basement. His freelance career began in 1972, the year I was born, and MetaDesign came into fruition when he officially founded it in 1979 in Berlin, Germany. A decade later, in 1989, he co-founded the first mail-order publisher offering digital fonts to the masses with his wife, Joan, called FontShop. It was eventually noted as one of the largest digital type foundries during its time. Its FontFont library touted 160 type designers including the talents of Peter Biľak, Evert Bloemsma, Erik van Blokland, Neville Brody, Martin Majoor, Albert-Jan Pool, Hans Reichel, Just van Rossum, Fred Smeijers, and Erik Spiekermann (from the FontShop International Wiki).

FontFont was founded by Erik Spiekermann and Neville Brody in 1990, the year I graduated high school. The pair’s mission for the newly formed foundry was to design typography offerings that were specifically “made for designers, by designers” (MyFonts.com).

They pursued their mission of providing a wide variety of designs allowing for artists and graphic designers to both bend and break the boundaries casting aside the rules with a series of “contemporary, experimental, unorthodox, and radical” (MyFonts.com) solutions. During his early years at MetaDesign Spiekermann’s clients ranged from Berlin Transit system, BVG, the Düsseldorf Airport, and Heidelberg Printing company. Spiekermann also worked closely with automakers Volkswagen and Audi.

Spikermann authored numerous books about typography including Rhyme & Reason, A Typographic Novel in 1987 (originally released in 1982 in Germany). In 1993 his Stop Stealing Sheep & Find Out How Type Works was published by Adobe Press. After a dispute in 2001 Spiekermann left MetaDesign and started United Designers Network. He was named as Royal Designer for Industry by the Royal British Society of Arts in 2007. He received the German National Design Award for Lifetime Achievement and the TDC Medal, and a Lifetime Award from the German Art Directors Club in 2011. Erik served as creative director and the managing partner at the aptly named EdenSpiekermann, a merger with the Dutch design agency Eden Design & Communication, with offices in Berlin, Amsterdam, San Francisco, and Los Angeles beginning in 2009 through 2014. In June his involvement migrated to their advisory board giving him time to pursue a new venture, p98a, self-described as “an experimental letterpress workshop in Berlin dedicated to letters, printing and paper. We explore how letterpress can be redefined in the 21st century through research, printing, collecting, publishing and making things.”

Erik’s passion for metal type found a new dream to realize with his collaboration with Neue for Akzidenz-Grotesk® Serie 57. Neue, founded by Alexander Roth, partnered with Erik Spiekermann to bring the youngest orphan of the Akzidenz-Grotesk® Serie 57 metal type family into the digital realm. They’ve branded it as neue Serie57®. When I received my Type Specimen for Neue Serie57® from Germany signed and numbered I pinched myself. Christmas came early. Another link to The Weather Channel lies in Akzidenz Grotesk. We used this entire family including narrow and extended variations across the entire TWC network redesign from 1996–1999.

If we want to speak to people, we need to know their language. In order to design for understanding, we need to understand design.

— Erik Spiekermann, Art Historian, Printer, Type Designer, Information Architect, and Author


Does Claircognisance Feed 11:11 Intuition?

Activated intuition, imagination, and intellect all result directly from one’s wielding of claircognisance. This term is not common. It is a derivative of the idea of clairvoyance and cognizance. I prefer applying the definition as straightforward inner knowing. By swimming along my own mind’s collective consciousness I’ve discovered details previously hidden in the frameworks of my DNA. First and foremost the very meaning of life itself. No one other than archetypal transmissions from the divine taught me the answer to our most common query: why are we here? It’s simple and profound. “Boot camp.” Preparation. Period.

Take it or leave it, but this is something I’ve always known. No teacher, preacher or creature feature gave me this insight. I was contemplating this truth a month before my birth. Once I received it, I was born a month early. It appears my own boot camp started when I still had my wings. Luckily another thing I know to my core is that my wings were never clipped. They’re just invisible. I’ve been floating around the house since I arrived in nightly astral projections. Upon awaking I knew they weren’t dreams of fantasy. My flights were as real as Granddad’s center of gravity fork, spoon, and toothpick physics trick.

According to Elizabeth Gulino, ‘Clairvoyance is the ability to perceive psychic abilities using imagery; clairaudience is the ability to perceive by hearing; and claircognisance is the ability to perceive by knowing.’

— Elizabeth Gulino, refinery29.com, August 5, 2020


Beyond Forward Thinking: Inner Knowing

Steve Jobs mused during his Stanford University commencement speech in 2005: “Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”

What if we could connect the dots moving forward? Why is it only an option when we’re looking back via hindsight? Why can’t we wield and apply forward thinking? True forward thinking led by knowing. I see things before they happen every day. The less I seek the more I find. It’s really a rather simple premise. I have faith not only in others, but also in my own understanding. While I concetualize logos I play a little game.

On a hunch I decided to use Joshua as inspiration for my three act play in early development. It’s far different than what anyone might imagine. I decided to base the title on Joshua 11:11. Completely by chance there are two references to 11, the H contains to 1s and the words eleven eleven have 1s hiding as Ls. I follow these little breadcrumbs as I move forward guiding me along the way to arriving at the solution. It’s true forward thinking where the dots connect moving forward, not backward.

While I’ll agree with Steve Jobs on his commencement commentary, I do fully believe we can wield Leonardo da Vinci’s observation that once we learn to see, everything is connected. Past, present, and future don’t exist. All we have now is in this moment that’s already gone before we know it. Time is cyclical, not linear. Nothing is linear. There are no rules.

Just now I was thinking about dice games — Dungeons & Dragons, Yahtzee, Monopoly and the like — and literally the next words I heard in a song that I had no recollection of was talking about “rolling the dice.” Sometimes my mind is in inline sync with the universe. It’s during those times when connecting the dots moving forward are revealed in the most fundamental sense. To deny these connections is to lie directly to our own souls.

‘Principles to the Development of a Complete Mind: Study the science of art; Study the art of science. Learn how to see. Realize that everything connects to everything else.’ The less I seek, the more I see.

— Leonardo da Vinci, Italian polymath of the High Renaissance, painter, sculptor, draftsman, theorist, architect, engineer, and scientist


No Mere Jedi Mind Trickery

I’m no soothsayer. I’m a truth dealer, an old school intuitive card player. I don’t count cards, but I do follow numbers, patterns, rhythms, and I see the unseen. Divinely inspired, quantum entangled, and floating along a stream of collective consciousness made entirely of sparkling, electrified saltwater. I know nothing, and I know everything. I feel the pressure, the resistance of invisible fields and crossover planes of existence. I hear the deep, underwater seascape of our collective consciousness.

I’ve been nurturing my knowing cerebrospinal fluid by wiggling my ears, wagging my tail, and thrusting my divine fluid up my spine in melodious notes igniting my gray matter. My mind has always been on fire, but over the past two and a half years it’s now exponentially ablaze. Much alike the late, great David Lynch, I drink coffee and then I percolate, meditate, and ruminate. At that point inspiration flows freely without limits. My own activated intuition and imagination glow with reverence. It’s effortless.

“The Force is what gives a Jedi his power. It’s an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.” — Alec Guinness as Obi-Wan Kenobi, Star Wars, 1977.

My mind’s eye sees things before they happen. These riddles of activated intuition and knowing manifest through patterns and puzzles, rhythms and reverberations. I can literally feel a warmth glowing inside my head.

— Call me David, Dave, DV, Modest Psychic of Magenta Sea or even Batman, my daughter’s favorite moniker for her heroic design detective daddy


Outsiders looking into our family thought we were the model American family. Just below the surface of our calm pond existed a network of twisted, gnarled warty roots stemming directly from my devilishly sinister mind. My life was devoid of self-illumination during my early years. In preschool I was locked in a pitch black bathroom on the daily for being too much to handle.

I had a big mouth and no sense of restraint. My parents tried to tame this side of me, but I possessed an innate sense of self that shadowed everyone else around me. I always felt like a had a special gift others simply didn’t understand. Hell, I barely understood it myself. It was directly tied to a shared, collective consciousness gently nudging me to quizzical understanding.

I leaned heavily into my dark side fully mastering the arts of thievery and manipulation by the time I was six. Every time I had a sleepover with a classmate I’d get up in the middle of the night and steal some of their trading cards and action figures tucking them neatly hidden in my backpack. When accused of stealing I’d lie again to cover my tracks.

Filled with shame on one side of my psyche while the other whispered a grimacing satisfaction. I honed my arts as a master manipulator when I wanted a toy, puzzle, action figure or model kit. I played Mom like a fiddle always insisting it was the last one, and I had to have it. Somehow I got away with murder, wait, not yet. I’ll get to that.

It’s quite fitting as I was born in the South because this region in poetry and stream of consciousness metaphysics represents the sailing into the imagination. Let's just say say about 99% of my life I've been living in and living out and manifesting my imagination fueling philosophical and spiritual observations. Some moments bordered on the homicidal as if I was being puppeted by an invisible shadow worker.

Once we were visiting my grandparents in North Carolina and I spent the night with one of my neighbors. I woke up in the middle of the night finding myself hovering over my guest. I experienced full homicidal intentions to strangle him to death as he slept. Tears streamed down my face as I was puppeted by an invisible, dark force. This was my first remembrance of being controlled by an extrasensory being or transmission. That scenario has been repeated a handful of times since.

As I look back now across my life in hindsight I now understand I was targeted by those wishing to destroy me before I even had a chance. Targeted as a threat even in the delivery room when I was forcefully birthed a full month early. Somehow my mother’s body was rejecting me before oxygen ever entered my lungs. Something was wrong, uncomfortably so. Doctors ordered a full blood transfusion. As time ticked by seemingly in slow motion, nearly coming to a full hault, my mother knew in her gut that I would be fine. She knew our family secrets better than anyone. Fifteen minutes passed.

The delivery room felt frantic amid a humid stupor. In a burst the door jolted open as the Chief Medical Director arrived with news that immediately halted the transfusion moments before being administered. He looked at my Mom and gave her a quiet nod. He knew her prayer was answered.

I’ve recently asked my Mom about this medical miracle. She told me the doctor was just being melodramatic. She said there was no miracle other than she prayed for my body to make a full recovery without the need of the transfusion. I glanced at her and did a jaw-dropping double take. I looked at her, and she gave me a wink and a smile. I smirked back knowing exactly what she meant.

Mom taught me how to pray and commune with God when I was just a few years old. I still have my prayer rug. It’s a tiny red, black, and ivory Persian rug. I noticed last year it looks like an eye or a universe. I know it’s really one and the same. My relationship with God was personal for me. I never felt comfortable in a church. Back then I didn’t understand why, but now I know that our relationship never needed a mediator. My soul understood before I even arrived that I didn’t require a location or a middle man in order to communicate with the power of the Spirit.

Thankfully I grew up surrounded by farmers, puzzles, and mind games on both sides of my family tree. Our roots run deep. We’re connected at a subatomic level. Checkers with Pa, farmer and mechanic for the WWII Flying Tigers. Grandad’s fork, spoon, and toothpick center of gravity physics trick. Daunting chess matches with Uncle Bobby, Biology Professor and Master Gardener.

Ma and Grandmom, both masters in the kitchen and garden. Ma’s Scrabble, word jumbles, and crochet taming her overly active mind. Grandmom’s magic, pillowy biscuits and watermelon rind pickles. Like so many others, my family is full of highly intelligent, imaginative eccentrics if one takes the time to look past the curtain and take a gander what might be hiding under the rugs.

Our family’s artistic heritage runs through all of us touched by the divine spark of the first artist, our Creator. My Great Grandmother was a master charcoal illustrator. Every time we’d visit our grandparents and great aunts and uncles in Murfreesboro and Ahoskie, North Carolina, I’d marvel at the living, breathing horse portrait great grandma rendered. From the tufts of its fluffy mane to the pulsing veins running down alongside its majestic features.

I have one of Great Grandmom’s renderings hanging in my den, circa 1910s, of a profile view of a docile terrier. The softness of its fur seemingly gently blowing from the nearby ceiling fan calms the entire room’s energy. I’ve attempted to duplicate this dog portrait to no avail. I’m far too impulsive and impatient to render such an illustration’s masterful chiaroscuro. I hope one day on the other side I’ll have a chance to meet her along with seeing my great aunts, Hen and Sara, and great uncle Jack again.

We all cherished visiting Pa’s brother and two sisters. Great uncle Jack and Great Aunts Hen and Sara never married, but they were full of life.. They were curious bookworms. Jack, a portly fellow, loved taking walks with me discussing the ins and outs of the latest sci-fi swashbucklers at the local cinema. They collected LIFE magazines, hundreds of books from classics of poetry and prose that I now have in my library.

I miss them dearly, but not so much their mean kitty who was always quarantined in the kitchen when we visited them around the holidays. Most of my memories of them are full of laughter and wise cracks especially from Great Aunt Henrietta’s giddy playfulness. Her sister, Sara, wasn’t so fortunate.

Mental maladies riddled our family’s turbocharged DNA. Sara was full of life until my mom’s speculation an ended romance destroyed Sara’s joy. Once her catatonic depression set in she fell further under its quiet, neurally necrotic spell. My Mom’s brother, Bobby, had his first serious mental appetite for destruction during his first year at college. Decades later I exhibited the same. I lasted two weeks at college before I dropped out and returned home. Uncle Bobby’s depression sent him through a lifelong pursuit of relief.

Years ago beyond lobotomies, folks with severe depression were given shock treatments. Now considered cruel and unusual, but back in the dark ages of mental health, it was the norm in many a mental hospital. Hooked up to electrodes and given a small piece of wood to bite down on. I’ve met folks my own age who also sought out these same treatments. While rare, these procedures still exist today for people with drug-resistant, crippling depression.

We’ve had our share of tragedies, too. Dad lost both of his brothers. No one has ever spoken about their circumstances in full detail, at least not yet. What we do know is one of them “accidentally hung himself while doing a magic trick.” His other brother drowned while attempting to show off how good of a swimmer he was to his friends. The former may have committed suicide while the latter may have been experiencing an elevated, manic state attempting to push himself too far.

Understandably both young men have become a shrouded part of our family history. While growing up we were all kept in the dark to protect us. They thought they were protecting us, but in turn couldn’t protect us from ourselves. I can attest that I’ve experienced both suicidal, manic, and depressive tendencies during the majority of my life. Only over the last three years have I found a true sense of relief in my full mental illness remission.

Arriving at completeness of the mind sent me down many of Alice’s rabbit holes. Some days I shrunk while others I grew exponentially larger. Each school morning as far back as elementary school I woke up with a deep sense of dread. I felt an intense sorrow deep in my gut. I was small and unimportant to anyone.

Alone. In hindsight this darkness was compounded by my daily tauntings by not only the bullies, but also by my peers. While I excelled at my studies, especially in art, mathematics and writing, I was socially inept to say the least. I wasn’t even a black sheep. I was a completely different species bathed in a technicolor energy bursting forth on my stage.

I was awkward and never fit in anywhere except in my art studio safe spaces at home and in Mrs. Farmer’s Art Department studio at Eastside, my high school. My basement art studio gave me instant solace. I had all of my friends. My besties. Watercolors, airbrushes, cold-press paper, our Betamax and a slew of movies I’d have playing on repeat in the background as I tinkered on my next masterpiece rendered with air, paintbrushes, and colored pencils. It was my home, my cave, and my fortress of solitude.

That dimly lit basement space also housed my Choose Your Own Adventure, Advanced D&D, an aging Atari 2600, and my first computer, a Commodore 64 where I’d draw with pixels using only the cursor keys. My method was slow and tedious, but my rendition of Indiana Jones was quite good. If I had only taken a Polaroid like I did of my airbrushed T-shirts. Now lost to memory, but a fond memory nonetheless.

My current apartment mirrors my old home studio. 698 square feet of living and creation space. Nice and snug after two years living on my own again after living with my parents for nearly six years. Back to the basement for a moment. Every place I ever worked full-time and freelance during my graphic design print and broadcast design career was usually in a basement or an annex set aside for us creatives to conjure our visual voodoo.

Basements appear to be a popular place to keep creative workers in line and on schedule. Executives know we work best far removed from the daily minutiae and social distractions. By removing us from the other departments, almost always in dimly lit spaces, we focus on refining graphics for hours, even days or weeks, that sometimes last less than a second on-air. Their impact was intentionally subliminal born in the belly of the advertising gauntlet.

While working at NBA TV in the bowels of Turner Broadcasting we rendered in frames with no motion blur. Why? Because our fearless leader was hooked on building graphical systems nearly causing viewers convulsions and seizures. I’ve never worked anywhere else that the timing of the graphics was so fast leaving watchers in a visual tailspin. Alas I digress. Let’s get back to my home studio full of art and tech gear alongside hundreds of surf, skateboarding, and auto design magazines and fantasy adventure books.

My parents fully supported my interest in art, design, storytelling, writing poetry, playing video games, and tinkering with pixels and fonts on my computer, a shiny 1983 Commodore 64. My basement studio was located on the far side of our home’s “bar room.” Every year this room donned its famous red light full of family friends telling dirty limericks while downing cocktails by the dozens.

I was brought up calling family friends by their first names unlike all the other kids I know that always said yessir mister or misses so and so. For whatever reason I was very comfortable around adults, but felt quite awkward and out of place around my peers. As luck would have it, I would never fit in anywhere. It was a blessing in disguise.

Back in K–12 days I was called out as an instigator and loud mouth. My voice “carried” my parents observed. I talked nonstop and my sisters even attempted to keep me quiet on road trips to North Carolina by offering me a nickel for every five minutes I remained quiet. I never made a dime. No one was able to quiet my mind, especially myself.

There was something about me that always seemed to stir things up. Even my P.E. teachers and coaches called me out as having “an attitude problem,” yet they never took the time to show me how to not have one. Now I know why: reverse psychology wasn’t my problem. However, my self image was always under attack not only from my peers, but even more so from my own mental trappings.

While napping as a young child I wished for God to take my life as I held my breath under the covers. I had dreams of walking through my neighborhood and always seeing a black cloud. It wasn’t a storm cloud. It emanated the darkest, zero black vibes I’d ever experienced. It might have even been a black hole forever feeding its gluttony with my own mental struggles.

On the other hand my mind was forever flooded with hypomanic urges of hyper sexuality years before I entered puberty. I existed in this state, unmedicated and without any skills to tame it, until I was thirty-seven years old. That’s when I was issued a five-second amateur diagnosis that I had bipolar disorder.

Three years ago I began my journey back to mental health forever leaving my mental illness in the dust. I’m convinced that anything labeled a disorder doesn’t have to mean it’s a life sentence, but damn, it sure felt like one. Thirteen years heavily medicated on lithium, a pin cushion of sorts I was, unable to shake the worsening tardive dyskinesia. I was rusted and couldn’t move my joints in desperate need of an overhaul.

I couldn’t draw, paint or fill out a job application by hand, but I never gave up no matter how hard my mind wanted me to. My life has been a continuous ebb and flow of the tides of my own vast imagination. My moods swayed with the moon’s waxing and waning directly tied to my circadian rhythms. While everyone else slept I was forever awake with my eyes wide open.

I grew up in the North and South, beginning at birth through first grade in Greenville, South Carolina. When I was five Dad took a job up north. I spent half of first and all of second grade in Paoli, Pennsylvania. Just two years later we moved back to Greenville. We eventually moved into the Red Fox Court home that backed up to our old street, Hillsborough Drive in Foxcroft.

I have fond memories with Steve playing raunchy MadLibs and going on midnight skateboard runs to the concrete bowl behind The Family Mart. One night we were picked up by the police for being out for what they called “passed curfew.” Even though Steve was sleeping over at my house that night, the police insisted they take him back to his own. My parents barely batted an eye when I told them the story the next day. I don’t think Steve was as fortunate. Sorry bro.

Steve was a D&D Dungeon Master and polymath. He was an artist, painter, photographer, and many a band’s front man. When we were twelve we met at Mrs. McManus’s basement art studio weekday afternoons for watercolor lessons. Once we reached middle school we had grown apart primarily due to my own arrogance and rampant, destructive narcissism.

I set many a childhood friendship on fire burning their metaphorical bridges to the ground. I was self centered, toxic, and highly sensitive and emotional. Little did I know I was really an empath in disguise. Some of my second moms knew this all along, but they understood that I needed to discover it for myself. It took me fifty years, but I eventually saw my clear reflection in the mirror for the first time.

My path was clear. I asked for it and received it almost immediately. I had a chat with God one night asking Him for “blatant signs” that I was on the right path now. The next morning the signs were everywhere. I became obsessed looking for them for two or three months until He told me to stop looking.

Once I obeyed that divine advice I saw everything effortlessly. It’s been three years now living a life unplugged from the false reality fueled by over-caffeination and crushing anxieties. I learned that in order to transform and ascend we must not only walk through the fires and over the coals. We must allow ourselves to be completely engulfed in the flames if we’re ever to awaken.

Once charred and emptied to my core I felt a storm brewing in the recesses of my mind, the only thing I had left. It started in the back of my skull and in just moments my mind lit up like Clark Griswold’s Christmas lights once his wife accidentally turned them on. I took a glance in a mirror, but couldn’t make out any details yet. All I could see was pure, vibrating starlight pouring out of my mind. I was reborn not too far from a Southern Baptist revival. By letting go of our former selves we give our inner phoenix apt time for awaking.

My own flaming feathered friend is now fully, exponentially ablaze. Somewhere underneath it all I can make out a deep, steady bass percolating to the surface. Each reverberation a cyclical wave created first by a single drop of sparkling, electrified saltwater. This series of electric shocks brings out my rebellious side. Sometimes I crack after keeping quiet for far too long. The empath in me takes over, choking my narcissist to the ground.

Back in the mid-twenty teens I was asked to take a culture survey at work in order for Human Resources to get a glimpse into my state of mind at that particular time. Rather than just ask me directly, they took the path of playing mind games with me knowing full well that I had bipolar disorder since my very first interview before I came on board. Yet there was far more going on that anyone would admit.

I also discovered and proved that the company was spying on us via our new PC workstations. Every time I was working in After Effects strange things kept happening. I alerted my boss, but he responded by saying he wasn’t having any troubles. He never acted in my good interest. He just ignored me. I’m not sure if he didn’t believe me or he already knew our computers were bugged during their setup process.

I also discovered and proved that the company was spying on us via our new PC workstations. Every time I was working in After Effects strange things kept happening. I alerted my boss, but he responded by saying he wasn’t having any troubles. He never acted in my good interest. He just ignored me. I’m not sure if he didn’t believe me or he already knew our computers were bugged during their setup process.

As it turned out the issue was with the key loggers that couldn’t keep up with how quickly I worked in After Effects using keyboard shortcuts. I confirmed this issue asking the Design Director to see if he had the same experience. He complied with my request and proved my point. Engineering removed the spyware, but going through that ordeal for over a week helped tip my mind overboard leading to my psychotic episode at work.

The company had no interest in my side of things. All they wanted was to nudge me just enough so I’d cross over the edge into psychosis. Due to their direct actions I suffered for six more years. They paid me off, but that money ran out. Waiting two years a judge ruled that I would never receive disability benefits.

Now no lawyer will take my case. At that point I was labeled crazy again. I had lost his mind. No one believed me that the God phone incident when I armed all of the missiles ever happened let alone that they were spying on us at work. The God phone, the Men in Black, the bells and raps on my chamber door were mere fantasies to them, but I knew better that they all really happened. I had the proof that I’d never share.

While I never learned to read music, I did understand the underlying messages hidden in the rhythmic cacophonies. My two Erics were both master musicians. The Radloffs and Chantrons, both my extended families and second moms and dads. Both of them lived under fairly strict parents compared to my own. I was given freedom while their family kept them busy weekends cleaning the house and doing chores.

I took out the garbage, cut the grass, and washed my car every week just like Dad, but other than that I was given freedom. I’d traverse the surrounding neighborhoods and when it was time to come home for dinner my Mom rang the bell on the back deck. Old school 1980s ushering in both cable and MTV.

I was schooled by PBS and cable TV. Dad signed me up for a PBS computer course to learn the ins and outs of bits and bytes before they’d buy me the shiny C64 I had been drooling over at Steve and Eric C’s house. Eric R.’s Dad had a C128 that had a screen saver of Darth Vader and Obi-Wan Kenobi in a lightsaber battle. So cool! About a decade later I had the same on my Macintosh PowerPC 7100.

George Carlin quickly caught my attention on HBO’s Carlin on Campus in 1984. While his language was certainly sailor-inspired, he knew the power of our voice. He understood language better than anyone by carving it up and revealing how in so many cases our own Americanized English was full of potholes. He also knew the power of the planet was so vast that “one day it will shake us off like a bad case of fleas.”

HBO’s arrival in our neighborhood marked a significant change for me. I now had access to channels that gave me a far wider worldview than being limited to our 200 pound set of World Book encyclopedias. Where else could I have been influenced by George Carlin’s masterful language musings and observations? I also had access to a BetaMax Dad bought that same year for my Mom for Christmas.

While it did have a far superior picture quality compared to VHS, Blockbuster had an extremely limited supply of BetaMax movies. There were dozens of shelves, and only one housed their BetaMax offerings. Pretty cool that the Beta format is what we used to record and backup our compositing workstation at The Weather Channel before QuickTime even existed.

The late 1970s and early 1980s were the most influential decade for me. I not only fell in love with Luke Skywalker and Indiana Jones, I knew exactly what I wanted to be when I grew up. I paid more attention to the matte paintings and compositing than the film’s narrative.

I was fully obsessed with George Lucas and Steven Spielberg from the 20th Century Fox spotlights and the ecto-green chunky, Lucasfilm, LTD to Paramount’s logo dissolve to the Raiders of the Lost Ark Kalalea Mountain on the island of Kauaʻi in Hawaiʻi. I’d learn later that it was a common trick Spielberg used in his own childhood films.

Spielberg and Lucas also introduced us to the forces of evil in both Darth Vader and the Nazis. Some believe Darth Vader translates to dark father in German. This stance is incorrect. George Lucas admitted that Darth is just another way to spell dark and Vader is a variation on the word father. No matter how we look at it, Darth Vader and Hitler are both absolute evil.

True evil lives and dies while the power of love evolves. During each cycle love gets stronger gaining higher vibrations. While the darkness grows it’s always ready for a comeback and we've got to make sure we identify all these folks because I hate to say it but they're not gonna be part of our club and boy do I hate having to say no to somebody at the door who wants to know more about love don't miss the train.

Has anyone considered that the evil in the world is all in plain sight for a reason? Could it possibly be that all of these dark folks are being handpicked to not be included in the singularity? That place of pure love and light where we all go in the next cycle? I think this is true.

While they spin their financial webs of deceit, freeze their brains of material matter in their end they will rot and go back to the soil as our souls ascend. There are signs now unhidden everywhere. The less I look, the more I see. God told me three years ago that I was on the right path.

My innate sensibilities are not uncommon anymore as more people wake up. I see patterns, rhythms, riddles math surrounding me the number 27 repeated always 11:11 repeated even more often even found in all of my identity. Even my Subaru logo is the Pleiades it’s a 2013 which is 20+13=33 : 3x3=27. I was born in 1972. Maybe that’s why I see 27 everywhere.

Do you ever get the feeling that life is really a game if we choose to play? Can we break the bonds we’ve been brought up with keeping us obedient and compliant? Since November 2023 let’s just say I’ve been leveling-up. Over the past two months my intuition has reached exponential levels of quantum entanglement. This isn’t fiction, it’s my life unfolding in front of my own eyes.

My eyes have most certainly become the mirror to my soul ascended. I’ve been leaning heavily into harnessing my once dormant childlike curiosity, and it doesn’t disappoint by any earthly means. I’m inviting you into my once invisible world of experiencing patterns, numbers, and other key markers and guideposts.

I would admit it’s been a wild ride, but the ride has just begun warming up. My flux capacitor is buzzing alongside my internal monologue. Well I’m tired. I’m exhausted trying to keep all of this a secret from my highly conservative family. I’ve been highly sensitive my entire life seeing connections between everything.

I was told that all of my happenings were just a series of coincidences. They wrote my feelings off as me being “too sensitive.” I will never repeat those words to my own kid. I will always feed her need for expression in every form pushing her own imagination and belief system. I know better than those who tried shaping me into someone I didn’t even recognize.

The universe is a big place. We are told by the news on TV that we can’t fathom how big it really is. Coddled into thinking that it’s impossible for us to comprehend. We’re taught my our families, teachers, clergy, whatever that we are small and insignificant. I believe however we are vast, endless forms of energy, and we express ourselves in wavelengths ties to the source of all creation.

We are the singularity. We are never alone. I have surmountable evidence that this statement is not only true, but it’s inevitable. Everything is connected by an invisible energy, not molecules, atoms or chemical compounds. It’s a state of mind and state of being. Some call it the best kept secret in history. Leonardo knew, too.

Leonardo da Vinci held a secret, and he shared it with me. A secret so close, so precious, so powerful deep within his heart, mind, gut, and soul. It’s been hiding in plain sight in his rendition of The Last Supper for 527 years, and it has nothing to do with Dan Brown novels. Once seen, it cannot be unseen. I’ll give you a hint. It’s a mindset based on rise and shine Christ consciousness. It’s real and more highly active than ever before in our darkened world as of late.

It’s all come down to this: mindset versus mind games. We must decide whether we’re going to welcome the new Renaissance or continue with the absurdities of the GenAi$$ance. You don’t need a ticket. It’s not a private club, but like I’ve said: everyone must choose for themselves. They can choose to follow the sheep to slaughter or take the road, even the sky itself, less traveled by.

I’ve heard knocks rapping at my chamber door. Sound familiar? Yes it’s a nod to my birthday twin, Edgar Allan Poe. Another telling tale about the south is my connection with a Edgar Allan Poe and Sullivans Island and Charleston. From astral projection to stigmata on my own hands and even at one point given the God phone by two Men in Black.

I’ve seen a floating white feather not adhering to the law of gravity. I’ve heard bells cheering me on during a run-in with the Men in Black. I’ve unlocked God’s phone. I’ve been tracked for decades, have the proof, and kept the bug they found hidden in my Subaru Outback’s engine when they replaced the transmission earlier this year.

When two roads diverged in a wood my oversoul nudged me, reminded me that I didn’t need roads. I’ve been able to wiggle my ears, shake my tail, and fly since before I was born. Floating on an endless sea for eight months, a sea of saltwater, you see now I see. I see it all as it’s been there all along. An invisible, invincible connection to everything.

I don’t need to build a time machine. By tapping into my own flux capacitor I’m able to experience astral projection as I did when I was very young. I used to float down the hallways in our home while everyone slept. During my nightly trips I could actually feel a resistance as if I was swimming the breast stroke through a saltwater ocean.

My other favorite trip is when I’m able to harness my center of gravity in such a way that’s not too far from some of those dream state visions from the Christopher Nolan film Inception. I’d strap on rollerblades and skate down the edges of skyscrapers always centered so I stuck to the locality of the building’s geometry.

I’ve been given a plethora of diagnoses ranging from “we’ve checked him for a chemical balance, and he doesn’t have one” to a five-second observation and donned “bipolar” by a quack of a practice around the corner of my old primary care doctor. No one ever seemed concerned enough to ask if I had slept any for an entire week.

Anyone missing that much sleep could easily be observed as having manic qualities associated with bipolar 1, more accurately manic-depressive disorder. Then there was “well, you may have schizoaffective disorder” and an hour later their psychiatrist said “no, nothing of that sort.” No one other than myself actually knows what’s going on in my mind. I’ve felt it all, seen it all, and played the victim all these years.

Victim to whom? Only me and no one else. The kicker was when my personal psychiatrist who at the time was also the Chief Medical Director at Carolina Center for Behavioral Health posed a query as we wrapped up our last evening session: “David, have you ever considered you don’t have any mental illness at all? Could you possibly just have an immensely rich imagination?”

I think she was right on one hand, but only through a continuum of trials would I come to a lasting, final conclusion on the matter: I’m the one who must diagnose myself. I have the tools and the talent, both wise and undisguised. Masks no more I now adore and celebrate a simple life. Worth waking up to every day.

Based on my extensive, hands on knowledge of the DSM-5 and more importantly DBT, Dialectical Behavioral Therapy I’ve come to a conclusion on the matter. I believe just as my Uncle Bobby, on my Mother’s side of the family, that I may have bipolar disorder, but it’s a rare case. My scenario I’ve debunked and I’m now in full remission.

I’ve witnessed actual stigmata on my own body. Cuts so precisely placed upon my hands the last time I was inpatient at CCBH. It had to be a bad joke, like so many of the questionable incidents at Peachford Hospital. I made sure to have witnesses. I asked them if they could see the marks on my hands, and they complied. I wasn’t hallucinating. While my body’s chemical makeup transitioned from thirteen years of lithium poisoning to Seroquel, my no nicknamed “Superman pill.”

There’s a trick to enabling our own heart center, syncing each side our gray matter, flowing along our intuition-lined gut instinct. Our own Christ consciousness. It has nothing to do with searching out there. Nothing to do with religion as it’s universally claimed on Earth. It has everything to do with finding what’s inside each of us, and there’s no one way to go about the journey.

Everyone’s adventure is different. It was meant that way. It was made that way in order to show, in order to learn, in order to expand our knowledge that there’s not always one way to come to a specific conclusion. Our lives each beat to a different drum along a cyclical, overlapping series of events.

The Creator is within us. It’s not out there in the cosmos somewhere. We are all part of this Creator. As we unravel the truth that was set before anything was ever put into motion. Before consciousness was born. It’s that many ways that those variables that we can’t even predict until we’ve seen them for ourselves in person in the real breathing world.

During one of Christ’s adventures, the Dali Llama spoke with Jesus and opened his mind in new ways leading into him to another opening of a hidden chamber in his heart. Double doors bloomed with pure love light that from then on gave him the ability to heal the lost and forgotten sick and diseased. Metaphors of the mind never meant to be a private club.

Evil lives and dies while love evolves. So here we go. This is for the record. I can see things. I can feel things. I can sense things before they happen. It used to be, you know, maybe two or three days I would have a thought about something. Then two or three days later it would happen. Over a short period of time after my oversoul told me to stop looking for connections is when these occurrences began expanding exponentially now fully ablaze.

Now it has come down to what I would literally call quantum entanglement with people in my life. There’s a few, specifically two, people in particular whom I’m entangled with in the quantum sense. Immediate connections. There’s no pause, there’s no time for a coincidence to manifest. It happens in that instant when knowing occurs.

It’s an immediate thing, immediate thought, and immediate feeling. I know when it’s happening. The moment in the present time when there’s no delay whatsoever. It’s quite incredible and there’s really no other way to describe it. There’s a trick to streaming consciousness. It’s hidden to a lot of people because they never notice it. Pure Christ consciousness.

Having nothing to do with religion, this state of mind is a metaphysical stream of consciousness. It flows like a river it flows to the southern regions of the mind. My family members keep trying to remind me that all of these experiences I’m having are really just coincidences. I know they’re not. I do know they’re still trying to protect me from myself. This felt familiar and uncomfortable.

Just for a moment this uneasiness took me back to my accident at work in the middle of the night during the third week of November in 2009. The Emory doctor patching up my nose and lip early that morning told me that if I had landed just a degree or two more squarely on my nose, I would have died immediately on impact. That thought haunted my subconscious for a week keeping me from getting a good night’s rest.

There’s a known condition related directly to hypomania and mania when an individual doesn’t get adequate sleep for five to seven days. Easily misdiagnosed, this condition resolves itself once consistent rest has been restored to their nightly routine. This had happened to me my entire life as a result of staying up late nights finishing up a watercolor or airbrushed T-shirt. Once in the creative zone, I had to finish the project. This is why I never liked painting in oils. They take forever to dry. I preferred watercolor. It’s immediate and dries quickly.

Keeping this condition in mind I now know that I was misdiagnosed by an amateur at PACT Atlanta. They never asked me any questions nor performed a standard intake evaluation. They showed up quickly, looked at me silently, and then said “bipolar, definitely bipolar” within five seconds. They tried turning me into a zombie, too, like all of the other mediocre masses now under their spell. Every week they changed my medication. One called Lamictal even sent me to nearly attempting suicide. I never met with MDs anymore, either. They were all medical students who asked me the same questions every week. They did their best to keep me quietly subdued, drugged, and nearly unconscious.

Trazodone knocked me out except one night when I crawled across the hallway to the bathroom because I couldn’t’ walk. Six months passed at PACT with no progress. I was recommended to see a private $300 per hour psychiatrist. He put me on Clonopin and Lithium. I thought Benzodiazepines were a bitch to come off of until I was informed by my current psychiatrist that my body was now toxic to Lithium. Thirty-six hours later my mind woke up.

I immediately realized that Lithium had kept my mind dormant for the most part keeping me hibernating for over thirteen years. I was dumbed down and barely able to keep myself together, let alone the last five years of having been on Lithium I could not even sign my own name. My tremors were so bad I couldn’t draw, paint, write, and could barely use a mouse. Finally my psychiatrist said “you’re toxic” and he would not have time to slowly take me off of the Lithium. He had to rip the Band-Aid off immediately in order to save my kidneys.

Within just two weeks and two days later I fully operational again. I felt like a sixteen year old every day when I woke up. God intervened when the time had come. He’s had my back my entire life. He told me it was time for me to get going on my new career path. A path bathed in light, love, and passion for others. He showed me how to unchain my empath and put my narcissist in the ground. I got to work, and I have no intentions of slowing down. My memory is now alive and active again.

I began remembering things. It started gradually at first, but within my third year of no Lithium I now have the ability to ask myself to remember further back. I’m reviving memories that I’ve been blind to for five decades. My family has also opened up a bit pointing out that I am remembering things I learned a long time ago. If I read between the lines I know what they mean. Our DNA holds the entire history of not only ourselves, but the entire existence of our energies since our cosmic inception. During our own personal big bang event. Speaking of such an event, take a look below at what my psychiatrist once posed during our last session. It allowed me to eventually overcome my manic depression.

While I have had many a diagnosis ranging from a clean bill of health after my first serious depressive episode at eighteen to showing signs of schizoaffective disorder three years ago during my post-lithium sixteen-day CCBH stay, it’s my private psychiatrist and CCBH Medical Director, Dr. D., who got my full attention when she posed one evening during our last session:

“David, have you ever considered you don’t have any mental illness at all? Could you possibly just have an immensely rich imagination?”

It’s taken me sixteen years now to realize that there was nothing wrong with me in the first place. It’s just a part of being human. It is not an illness. If wielded properly we can achieve the divine. My situation was a direct result of being stressed out, extremely busy and enlightened at work, and needing some serious sleep. Misdiagnosed as having bipolar based on not sleeping for a week. Period. Yet I do know that manic depression is still a part of me. That misdiagnosis led to me understanding that I had a choice. I could make life changes that could take the place of medication. A natural series of positive influences that keep my brain chemistry healthy.

Consistent solitude, soul searching, skills training, exercise, music, diet, family time, and community grant me a whole-hearted life I wouldn’t trade for all the riches in the world. No more falling for simple-minded mind tricks or Human Resource surveys. Better. Faster. Stronger than ever before in my life. I now have access to 100% of my gray matter now lit, alive, and fully immersed in Christ consciousness.

As a result of my own understanding based on fifty-three years of mental health exploration I know the fact of the matter is actually a combination of “infectious creative energy” fueled by my activated intuition, imagination, and intellect. I know that manic depressive disorder, bipolar 1, certainly plays a key role, but now I’m in what I’m calling my mental illness remission.

Make mistakes and try everything. That’s been my path to wisdom. Be willing to know and celebrate I know nothing. Socrates was right about that all along. Breathe. Enjoy the silence. Be mindful. Celebrate solitude. In those moments our connection to everything is unbreakable. It’s within that divine interconnectedness we know we are never alone.

If you’re curious, like me, do a search for artists and singers, actors and writers, poets and playwrights. They all had the divine spark of madness, too. Madness and genius go hand-in-hand. Ask around. Two books I highly recommend if you’d like to understand manic depression further, take a look at Kay Redfield Jamison’s An Unquiet Mind and Touched with Fire. When I was first diagnosed with bipolar 1, I found these books quite helpful in guiding me through my new reality.


Shine On You Crazy Diamond

Three and a half years ago my mind awakened in a fully cosmic, spiritual sense. Thirty-six hours after my psychiatrist took me off of lithium that I’d been taking for thirteen years I was back in his office describing the exponentially opening up of my soul. I could see everything and how it’s all connected. None of my revelations were premeditated nor did I learn about the actual subject matter in some Alan Watts, Dolores Cannon or Billy Carson YouTube video. I was connecting with the source. Directly and intentionally. It’s as if my true self was lying just below the surface; an iceberg of deep understanding. My spirit was free.

Being free does come with its share of challenges. Nothing all that new to me as I was cast aside my entire life. God has stricken me with so many trials, and I’ve proven my resiliency. He prepared me for the very moment I knew that my gut had been right all along. Spiritual Boot Camp not all that dissimilar to the path that Jesus walked. He sought out other teachers and became a student of many faiths. My Christian friends call this blasphemy, but I know better. I believe they fear my light because theirs is rather dim stuck in dogma and divisive religious manipulation. I believe everything has its season. Seasons of growth and hibernation are both necessary for our soul’s ascension.

All of us deserve the opportunity to flip our icebergs exposing the deep knowledge hiding just under the break of the waves. I’m not afraid anymore. How about you? Do you want to see my light and even more pressing, your own? Wake up. Christ consciousness is not only real, but souls are waking up after centuries of sleep. We’re well rested, and we’re unstoppable because we’re not terrestrial beings. Our wings were clipped, but only metaphorically. Fly high! We wish you were here.

As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being.

— Carl Gustav Jung, Swiss psychiatrist and psychoanalyst


My Path to Manic Depression Remission

Today I celebrate my mental health remission. How beating manic depression, aka bipolar 1, is not only possible, but it’s really not that complicated if we live mindfully and intentionally consistent. Consistency is the most important component of this golden elixir’s equation. My life has transformed from crippling anxiety to effortless.

How I achieve mental health remission. Written poorly by someone who rarely uses spellcheck. I’m a terrible writer, but hey I’m only human, right? Somedays I’m not so sure, but we’ll get to that another time. For now, let’s get to it. Call it combat training.

I wrote this earlier today in the BP Hope for Bipolar group. It’s not only my daily routine, but my recipe for achieving life balance. This includes my mental health of which I now refer to as my manic depression (bipolar 1) remission. If something resonates with you that’s great, if not that’s ok, too. 😉

This is my all day version. It’s all connected to being able to wind down at the end of the day.

I believe in the Roman philosopher Seneca who said “luck is what happens when preparation meets opportunity.” Luck doesn’t happen to us. We are an active participant in creating it. Our will manifests it.

Wake up thankful to have another day to live. Get up. Drink water. Open up the doors and appreciate the birds chirping. Make my bed with my headphones on. Eat savory food before anything sweet. Make coffee iced, sometimes mocha.

Exercise early each morning around 8:30. Get outside with music for 1.5 hours. Immerse in nature. Talk to the creatures I see that also notice me.

Smile at everything along my path. Even a half smile can boost our mood. I keep my headphones on a setting that allows me to still hear and connect with my natural surroundings. Nature interrupts my travels with dragonflies, hawks, and sometimes even a white feather hovering in mid-air. That last one I’ll tell you more about later.

While walking I keep Siri busy taking notes about thoughts and observations along my morning journey. In three years I’ve logged over 2,300 thoughts. I find practicing thinking on my feet is the most natural way for my mind to open. Wide.

Then later I review these notes, prioritize a few for the day and further explore them later that afternoon. Sometimes I forget them altogether. If it’s a good, solid idea I find they make their way back into my next walk or two. If it’s worth remembering, I will.

Sing, write, design, build, and learn something new each day. Talk to someone voice to voice and face to face. Body language is important and crucial for truly connecting with ourselves and others. Seeing is believing. We were never meant to rapid fire text each other in order to communicate. Stop doom scrolling. Start by sharing your voice.

Practice forgiveness and active listening. Stop focusing on finding the opportune moment to interrupt. Listen more and talk less. It’s not easy, I’ll be the first to admit.

Intermittent light fasting. Don’t overeat. Eat smaller meals. Drink smoothies with fruit and spinach. Eat fresh foods. Rest. Afternoon siesta. I learned how important this was while living in Cortona, Italy. Rest the body and mind. Refresh the soul.

No caffeine or sugar after 6 pm. Eat a well rounded meal supporting brain, heart, and gut health. Watch something funny or light hearted. Count my blessings. Pray for those I know, and especially those I’ll never know.

Give a wink to God, Mother Nature, and the Universe. Live simply shedding materialism. Be the light, energy, and awareness I seek. Give myself and even my demons a hug. Rest consistently. Yes, rest.

Make mistakes and try everything. That’s been my path to wisdom. Be willing to know and celebrate I know nothing. Socrates was right about that all along.

Breathe. Enjoy the silence. Be mindful. Celebrate solitude. In those moments our connection to everything is unbreakable. It’s within that divine interconnectedness we know we are never alone.

These practices have allowed me to not only manage, but overcome my manic depression, aka bipolar 1 disorder. I now say I’m in mental health remission. Yes, I still talk to my friend, the feisty owl, for a full five minutes.

P. S. Manic depression, aka bipolar 1, wasn’t something I acquired like the flu. It’s riddled throughout my entire family tree’s DNA. That’s not always a bad thing, either, because yes it crushes our souls, but it’s also the key in unlocking our superpowers.

If you’re curious, like me, do a search for artists and singers, actors and writers, poets and playwrights. They all had the divine spark of madness, too. Madness and genius go hand-in-hand. Ask around.

Two books I highly recommend if you’d like to understand manic depression further, take a look at Kay Redfield Jamison’s An Unquiet Mind and Touched with Fire. When I was first diagnosed with bipolar 1, I found these books quite helpful in guiding me through my new reality.

David, have you ever considered you don’t have any mental illness at all? Could you possibly just have an immensely rich imagination?

— Dr. Gergana Dimitrova, MD, psychiatrist, friend, and former Medical Director at Carolina Center for Behavioral Health


The Mind’s Eye of George Lucas Storytelling

So many of us, especially Generation X, understand the impact Star Wars and Raiders of the Lost Ark made on our young lives. We played with our spaceships, traded cards, built models, and lived vicariously through our action figures. I’ll never forget the first time I saw Star Wars a year after it’s release in 1978. My Mom reminded me recently that I nudged her during the entire film. She said I kept saying “Mommy, that was wrong.” At just six years old I was picking apart the visuals from nearly black garbage mattes around T.I.E. Fighters and X-Wings to painted scene extensions that didn’t quite match the perspective of the live action plates. The most compelling shots were primarily composed of Ralph McQuarrie paintings on glass with live action areas comped in.

After that first viewing my inner knowing told me that this was my future. I endlessly studied the cinematic, magic arts of making movies a reality through whatever means necessary to sell the shot. Now I’m pursuing my own adventures in writing screenplays for tomorrow’s version of me.

“You don’t invent technology and then figure out what to do with it. First you come up with an artistic problem and then you invent technology in order to tell the story you want and to realize your vision.”

— George Lucas, Film Visionary

No decision is the worst decision. If you have a passion, decide and pursue it. Don’t wait long enough so that others will make decisions for you.

— George Lucas, Writer, Director, Producer, and Technologist


The Father of Common Sense

We could all use a little common sense right now. Possibly more than ever in recent memory. The American Crisis (no. 1), December 19, 1776, by Thomas Paine.

The American crisis (No. 1) By the author of Common sense. [Boston] Sold opposite the court house Queen Street [1776].

“I love the man that can smile in trouble, that can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink; but he whose heart is firm, and whose conscience approves his conduct, will pursue his principles unto death. My own line of reasoning is to myself as strait and clear as a ray of light.” — Thomas Paine

(from The Library of Congress)

. . .

When I first came across this quote it was attributed to Leonardo da Vinci. I found a website that debunked this claim and correctly assigned it to Thomas Paine.

https://suebrewton.com/2015/11/30/no-leonardo-da-vinci-did-not-write-that/


Dismantling My Narcissistic Nature

Throughout my life I’ve garnered my share of art and design awards. Beginning in second grade elementary, continuing through middle school, high school, and college. This trend spiked during my professional career. However, the two Humanitarian Awards I received at Skyland Trail in Atlanta, Georgia, are the two closest to my heart. That’s where I began shifting toward supporting and boosting the light of others. The narcissist within that ruled over me began breaking down. I realized the light I had been pursuing wasn’t my own. I was chasing a nightmare disguised as a lucid dream state.

This isn’t a boast, more to the point it’s a reflection of the moment my narcissistic tendencies began to dissolve inviting my innate empath back into my life. Growing up I had no idea what skills like active listening were. My sisters used to offer me a nickel to be quiet for five minutes. I never made a dime’s worth. I got roasted in 1996 when I had my first review with my boss. That was just the beginning of dismantling my self-centered nature. Little did I realize how envious I was of those around me who showed compassion for others. My other vices fueling deadly sins in my wake vanished overnight.

All I had to do was ask God to show me “blatant signs” that I was on the right path. He showed me how to not follow paths at all, but take to the sky.

The shadow of an empath is born from endless giving. Once unleashed, it has the fire that cannot be tamed.

— Carl Gustav Jung, Swiss psychiatrist and psychoanalyst


Stop Stigmatizing the Term Mental Illness

The term mental illness has become just another stigmatized weapon of weak, narrow-minded fools, halfwits, and bullies who, if you call their bluffs, have no real power over anything and especially over anyone. However, mental wellness is what we all deserve and seek whether we’ve been diagnosed or not. Those of us showing up daily seeking mental wellness know it’s not something to be taken lightly. It takes effort. Endless effort. Yes, endless.

Mental wellness education begins at home, and now we’re finally taking a much closer look at so many things that were casually swept under the rug because the truth was too painful. Our families were attempting to protect us by not addressing the obvious in hindsight. You know that uncle of yours that no one ever really told you about while you were facing the same demons? He was my uncle, and we both faced them head on. I know first hand. I don’t blame anyone for my own trials.

My family did the best they could at the time. I believe in their hearts they felt that they were protecting me. The fact is that the only way we will survive is realizing we have nearly everything in common if we’re willing to seek the truth. Truth. It doesn’t just matter. It’s what we wake up for each day except we now live in a time that it’s challenging to know what the truth really is, or is it? Take a look around. A really deeply focused look around. The bullies think they can manipulate and cast their gas-lit distortion fields on us, and we will just say thank you, sir, may I have another. There’s a fine line between genius and madness. Let that sink in. I must be another one of thos crazy ones that should be “locked up,” right?

Not even close. I know my truth, and I’ll always choose to show up over hiding behind ignorance spread by false prophets. I’ve been one of the crazy ones for 53 years, and I have 47 more to go. Stay strong. Be well.

“Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.”

— Steve Jobs, Founder, Chairman, CEO, Investor, and Inventor


Sam Altman and Trump in Bed Again 👹 ❤️‍🔥 😡

Wow! SAm AlTmAN, our Prince of Darkness and leader of the cyclops zombie apocalypse, has been working out. I’ve never seen him so buff and a deep, red tan, too. I noticed Sam’s gold horns, too. A gift I’m sure.

Talk about horny…feeling thorny Donald? Thank you Trey Parker, Matt Stone, and the entirety of South Park. Bravo gentlemen. Ya’ll keep on keeping on. Your portrayal of the presidency’s microcosm is gold!


We Love You Stephen Colbert ❤️ 🚀🍦

Enough is enough. I guess that’s what the corporate bullshit vultures told Stephen Colbert. They not only cancelled him, they even cancelled the ongoing legacy of “The Late Show” since 1993 with David Letterman.

They cannot keep Stephen Colbert’s voice quiet beyond late night nor can they keep him from living out his “Americone Dream.” I’m with you Stephen, and so is your massive fan base. You’re the real deal.