A Rare Zodiac Triad

Our human heartbeat begins within a bundle of pacemaker cells before the heart is formed. Once matured our heart synchronizes with our mother’s in a rhythmic pulse of our two human hearts beating in tandem not only in matter but more directly in spirit ties us all directly to the divine source within each of us. This frequency isn’t attainable through religion alone nor is it earmarked for a sole religious practice. There’s no spiritual country club to join, no dues to pay. Just a deep, peaceful calm that washed over me every time I found myself safely back in the womb never knowing fear or concern for my own protection from every enemy.

Anyone, and more to the point anything, dark angel, devil or demon, is kept at bay as I grew within my mother’s blessed belly’s protection. God sang me lullabies while my mother slept. A dozen years passed by in a flash, now a distant flicker. I calmly wait and count twelve feet below the surface of my reverberating safety zone in the neighborhood pool. Rhythmic, deep bass notes lulling me to a near daydream sleep forgetting to breathe near the end of my three minute exercise. Wait! Not yet! I swam frantically wiggling my body as a racing sailfish toward the surface of the pool. What a rush on the cusp of life and death. Whoosh!

Just milliseconds from blacking out and dying again I suddenly woke up halfway through falling to the floor in my teenage bedroom. Slam! To the floor I went. While rubbing the side of my head checking for blood I felt a warmth within my skull. Something was sizzling in my weary yet ironically fully awakened mind. I quickly did the math before I forgot a thought that stemmed from the very knife’s edge of my dream state. Cacophonous sounds had startled me awake. This time a knocks rapping at the door layered with deep native drums pounding in my skull. Last time it arrived as the ringing of bells, chimes no one else could hear. Silence to them.

Focused now, my intuition set my memory ablaze. Another superpower unearthed, thawed out that’s been lying dormant for fifty-three years in the arctic wastelands within my mind. It’s been strutting around the square unbeknownst to me as I searched other lands for more insights, more knowledge as to my true nature. Now I know another hidden truth about my DNA’s divinity. A year ago a dear soul read my mind revealing my cosmic number was three, just as her’s was also. Three, as it comes to this, is alive and well again. This time written directly into my Zodiac makeup. If we follow the dates it’s all crystal clear. Nothing hidden.

I was born a rare, Zodiac triad. My assigned appointment at birth signaled something else much deeper that I’d take half a century to realize besides the surface level definition on display to everyone else. I arrived four weeks early, to the exact day, on January 19, 1972. My projected date was February 19, but God had plans for me that couldn’t wait. My father’s birthday was exactly three months prior on October 19, 1940. Yes, another reference to three. Lest not forget mu lucky number is also three to the third power, 27. Driven, fighting to win at all costs I blazed a trail of bridges built and burnt to a crisp. Never rebuilt.

I gained a bit of wisdom each time I singed my current employment ending it at just the right moment. I was never meant to work for others like so many do for the rest of my life. These intentional self deprivations taught me resilience. Once I’d had enough of their hypocrisy and thirst for power over me it was time once again to say adieu. Every time I was thrown back to the beasts of this earth, put down in a painful mockery, I grew stronger, bolder. Even when disability assistance was fully denied after waiting two years, I did what no one else imagined. I kept my sights on what is unseen, not what is seen by all. As I unravel, I reveal.

While everyone around me felt they knew how to fix my situation, I asked them to take a few steps back. Give me some room to breathe. Let me decide what comes next. Stop giving advice to someone you don’t even understand. I am not someone that can be easily forced into anyone else’s vision for my life. I appreciate the sentiment, but I have plans of my own. They started being put on the back burner, then in my back pocket for easy retrieval. I already had the answer without even asking myself any more questions. I invested in myself. I never gave in to systems attempting to persuade me to fall inline like so many others did.

Each toxic attack brought me another layer of steel forged by forces long ago. My inner Capricorn never caved even as God gently knocked me down. As I gained my feet each time I focused deeply on my center of gravity. I’m not spinning in circles, but I am peeling away layers in a circular pattern. Each unraveling layer glides, circling outwards around me as I feel a gentle breeze stirring up, forming a funnel rustling the autumn leaves at my feet along the trail. Each spiral generating an invisible miniature twister lapping the leaves upward, outward and then gliding back and kissing the ground leaving a spiral as seen from above.

With each twirl this circular layer of leaves expands just as my inner knowing and sensitivities grow. All my life I was scolded for being too sensitive. I was raised to win, not to write poetry, paint watercolors, or draw hundreds of caricatures. I did do these things, but my father was always concerned I was taking a path that may prove difficult in order to sustain a financially independent life. A safe life. I think this stemmed from not only his own obsession with success, but even more so from the events surrounding my birth and the first three years of my life. I was small and born with an innate reality distortion that I was insignificant.

My struggle with inadequacy began during my own exodus from my mother just eight months into her pregnancy. I was a preemie, an underdog. Born weak and damaged with an emergency doctor’s order for a complete blood transfusion that was cancelled abruptly at the last minute. My body, still fully intact, never given a circumcision just as da Vinci portrayed his Vitruvian Man some believe is his self portrait. This desperate longing for attention followed me all the way through high school. When dad got home from work he walked right past me dozens of times. I guess I wasn’t stoic enough and far too sensitive, right? I was.

My birthday, actual and projected, spans Capricorn, Aquarius, and Pisces. I didn’t realize this until recently at 53. It’s been staring me down for half a century, but I’ve been busy manipulating my reality. I built so many masks for survival I even lost sight of my own reflection. Now inner knowing leads to understanding that my core traits were always so closely aligned with Pisces, I cannot unsee what is now is plain sight. This understanding is so well aligned, I’m nearly speechless. Well, speechless for me is still running my mouth more than most. Now it’s also clear why I was so drawn to the ocean at such a young age.

I spent summers riding the waves at Edisto Beach and Isle of Palms. Time well spent on Sullivan’s island where my birthday twin, Edgar, Allan Poe, used to inhabit. My profoundly empathic, artistic, romantic, and heightened sensitivities of Pisces have rung true for so long, but as a half century narcissist I saw these traits as weaknesses. Now I fully embrace this water sign’s waves of consciousness as my true north. Well, south really if we’re talking about my imagination. I was never really a Capricorn. I was a water sign disguised as an earth sign. I enjoyed finger painting in nursery school dipping my fingers in muddy water.

During the hot, dry summers that resembled barren, cracked desert the cracks kept widening resembling tiny earthquakes as they spidered out in all directions. The ground uneven, uneasy shaking between breaths. These little earthquakes that Tori Amos sung about eventually lead us into a state where nothing feels grounded anymore. Every moment is spent trying to gain balance in a world that worships paint and suffering never truly offering relief, just selling another unneeded product so another fat cat board member’s stock rises one more tick. Their slight of hand, now obvious to us all is played out.

They also remind me of lightning right in that single millisecond moment spreading out forking across the skies. While looking in the mirror now I also see them as veins scattered all over my eyes. Some days more bloodshot than the next depending on the amount of sleep I survived the night before. Born with a wandering eye requiring surgery at age one, my eyes still played tricks on me. Somehow no one ever noticed that my permanent scowl wasn’t solely due to always feeling like a social outcast, I was also nearsighted. Just as my need for glasses since birth wasn’t corrected until I reached 19.

Every year during roll call my homeroom teacher always accidentally embarrassed me when they’d ask if Carol Vinson was present. I was, but they thought I was a girl. I was even scolded for intentionally horsing around pretending to be the Carol in question. 1991 became the same year mine and Dad’s first names were adjusted from feminine, Carol, to masculine, Carroll. This plagued me every year beginning in nursery school following me all the way through high school. Junior year was I free from the bullies, but still not the teachers. Do yourself a favor and don’t name your kids with androgynous names.

Masculine versus feminine spellings confuse the simplest of minds. As fate would have it, my birth name and birthday both held connections to two of the most enigmatic geniuses in the histories of art and prose. I share my birthday with Edgar Allan Poe and Leonardo da Vinci’s name is hidden within my own. Edgar’s detective genre prose filled with mystery and mayhem and da Vinci’s thoughts on our interconnectedness with everything around us also pulse through my veins. Once awakened there’s no turning back. There’s no magic blue pill to re-enter the matrix. Even if I could go back I would choose to continue moving forward.

Pisces, the most awakened of the Zodiac, interprets the rhythms, patterns, and musical dialects of reality, hidden and implied, with such rich intention it’s become it’s own living, breathing entity. Pisces represents the highest elevation wielding psychic forces greater than any others of the dozen or baker’s dozen if you know Ophiuchus, the serpent-bearer. Once I reached my half-centennial my mind shifted, adjusted, and woke up enlightened with what I’ve coined as an activated intuition. My mind was awake again as it was the first time I drew breath. Finally everything was clear. The why of it all shimmering like diamonds.

Every mental block, creative or otherwise, vanished within 36 hours of my psychiatrist removing lithium’s toxicity from my bodily temple. Swimming with the fishes always felt natural, primal. Although the lure of Capricorn’s success at all costs mindset kept me under its spell for fifty years once I came up for air I knew I was finally home. No longer taking dips in the deep end of the pool, sitting at the bottom drawn to the echoing reverberations and pressure giving me immediate relief from the earthly attacks and taunts. Twelve feet down felt safe, familiar as if I was still floating in my mother’s womb.

The American Dream that I now call the Grand Illusion brought up ad absurdum more times than I could ever count. I ran out of fingers and toes to tie it to since I was three years old. Chasing and realizing a dream planted into our subconscious passed down from one generation to the next in the form of capitalistic materialism. I now live peacefully, purposefully, and prayerfully more in line with a monk than a successful American businessman. I dodged those bullets like Neo. Rather than chase an unattainable dream maleficent and mirky, I chose to address my own independence. There’s no admission of tithings or guilt. Calm.

No secret society writ the lines of absolute plagiarism plaguing our world’s societies. We’ve traded our humanity for the seduction of technology. Our critical thinking skills are melting en masse. It’s time to wake up folks. You’re just falling for another golden calf sold by a snake oil salesman who recently announced he would soon “treat adults like adults.” Feel free to search that one. It’s utterly disgusting. Those of us who chose not to join the zombie horde’s goblin ranks have work to do. We’re spreading old-fashioned truth bombs for those who choose to not only see the truth, but continue spreading disguised lies like wildfires.


Raw Inertia of Inner Knowing

Our signals are unique yet fundamentally identical. They’re forged once and passed along across centuries. Stellar signatures self taught and self propagating tattooed across every double helix of our collective DNA. A simple wiggling of the inner ears initiates the process of energy transference. Deep bass notes thunder through our cosmic drums penetrating every cell, sharpening them into a wincing within the skull pulsating, pumping our sacred cerebrospinal fluid up our 33 vertebrae from sacrum to skull immersing them into heightened applause. Standing room only doesn’t suffice until we’re all aglow at once as a radiant haze dissolves our terrestrial bodies into pure stardust.

Mankind’s most impressive symphony cannot hold a candle, let alone a star at the center of our solar system, to this raw, divine power now vibrating through our backbones. Our sun cascades an emanating ultra violent energy as visible light, infrared radiation, and even one tenth of the ultraviolet class. A cascading crescendo of pure starlight glowing, growing, giving us true sight. A raw inertia of inner knowing of activated intuition and predictive spontaneity. Beating effortlessly synchronizing with all human hearts. Every twinge, every pulse suspended between arcing time and space. Mere snapshots of potentially expressive thought unsuppressed, unaltered birthing our highest vibrational energy. Love.

Over the past 53 years I’ve accumulated a wide array of character traits and other mentionables that some call out as false. Even going so far as calling me a liar, a thief. Well, everything I’m sharing here hasn’t been exaggerated one bit. Open your mind if only for a moment. They’re all as true as Leia is Luke’s twin sister. Uncovering deep mysteries about myself over the past three years has been an exponential series of discoveries unearthed through never ending, childlike curiosity. My early days were riddled with happenings no one could explain. I’m talking about my midnight flights, reaching out and my hand passing through objects, and my internal passion to be my own best undercover agent.

I’m Hell-bent to unravel the mysteries hidden within our collective DNA. There’s no telling how far we can go together. Early this morning I awoke at 1:04 am from a third attempt to end my life. I saw the message “humble beginnings” sent in a hidden thread to me. This warning I confirmed with two-tier authentication. Whoever sent me the message my response was: “Ten-Four Little Buddy. I’m A-OK.” Ten-four is also directly related to a cash deposit I made the previous afternoon. It’s all in the numbers. Once I connected those two things think of it as my own authentication method. Being able to see what most folks either don’t or choose not to see is a tough life. Welcome to God’s spiritual boot camp.

A cascading crescendo of pure starlight glowing, growing, giving us true sight. A raw inertia of inner knowing of activated intuition and predictive spontaneity. Beating effortlessly synchronizing with all human hearts.

My Happy Thought

J. M. Barrie’s play, The Boy Who Wouldn’t Grow Up, not only tells the tale of Peter Pan, but also of myself. Where did I meet my activated intuition, imagination, intellect, and predictive spontaneity? Somewhere amongst the southern regions of metaphysical streams of consciousness. Quite literally within the vast sea of our collective knowing. I have no intention to ever return to the world I left behind. I always had a difficult time, too, with my shadow as Peter did. It was always playing an elusive game with me keeping me on my toes. Just like my faith, one day God interrupted my obsessions with my shadow. He told me to stop chasing it. Instead, integrate it into my terrestrial being. My spirit has been flying high since.

Once I welcomed it in the front door and called it by name it was integrated into my being. We fought in the playroom for fifty years. After half a century we incorporated one another fully by realizing our purpose and potential. My cosmic number three cannot tell a lie, and my lucky number 27 knows that three is mighty, but three to the third power is a spiritual enigma, Father, Son, and Holy Ghost where Chris Consciousness is born, lives, and breathes within each of us. Everything that was considered fringe by those around me when I was a young child have all proven to be true. No lies. No stretch of the imagination. Just plain truth never hiding, just abiding in clear sight lighting the way.

It was no accident that my first and foremost memories of lucid dreaming were actually me leaving my physical shell as I floated around the house. These astral projections I experienced as a child were filled with a pure fondness for swimming down the halls suspended in the airflows of our home. After a few decades they evolved into wicked flights of fantasy wielding a magical form of localized center of gravity excursions riding the rails along the edges of skyscrapers on my rollerblades. No matter how much my angle teetered I never lost my balance. I never fell. Even my rollerblades were skimming across a finite gap of air just microns between the massive city structures and myself.

Now those were some exciting ways to spend a night. Whew! Did I ever mention I was conceived in Eden, North Carolina, and born in Greenville, South Carolina? After 22 years in Atlanta I came back home. Now that I’m back in Greenville, I know why. Hunter green was always my favorite color. I guess it makes perfect sense if I give reality a wink while flying back to Neverland each night visiting my friends, my soulmates. All we need is one happy thought and Tink will guide us along the currents of wind and wisdom whispering sweet songs of curious joy and innocence. By the way, I used to live down the street from Tink’s high school in Smyrna, Georgia. Well, the actress that played Tink in Hook.

Where did I meet my activated intuition, imagination, intellect, and predictive spontaneity? ‘Second star to the right and straight on ‘til morning.’ I have no intention to ever return to the world I left behind. I found my Neverland.

COVER ILLUSTRATION DETAIL OF J. M. BARRIE’S PETER PAN BY GREG HILDEBRANDT, 1987. I HAD THE PLEASURE OF SEEING THE ORIGINAL MATTE PAINTING OF HOOK’S NEVERLAND HANGING IN THE LOBBY OF INDUSTRIAL LIGHT & MAGIC AT THEIR ORIGINAL LOCATION, KERNER OPTICAL, IN MARIN COUNTY, CA. MY DEAR FRIEND, E.T., GOT DIRECTIONS TO ILM BY CALLING FROM A PHONE BOOTH ON A DESERTED HIGHWAY IN THE MIDDLE OF NOWHERE. I’LL NEVER FORGET THAT ROAD TRIP. TWELVE YEARS LATER I COLLABORATED WITH RED GIANT ON KNOLL 3D FLARE FOR AFTER EFFECTS. JOHN KNOLL’S ORIGINAL INSPIRATION FOR HIS INITIAL RELEASE OF LENS FLARE PLUGINS FOR PHOTOSHOP, AFTER EFFECTS, AND ELECTRIC IMAGE ANIMATION SYSTEM WAS REALIZED FOR HOOK.

Care to take a wild guess what my happiest thought is? It’s not a what, it’s a who. It’s my incredibly creative ace and empathic daughter, A. Love, Dad.


Still Alive Sixteen Years Later

On November 19, 2009, I woke up. It was about 4:45 am. I tried to move, but my face was stuck to something. As I gathered my wits I found myself face down on the icy concrete floor of my Outpost Pictures office at StudioPlex in Atlanta. Per family guidance I didn’t ride off in the Grady ambulance that arrived first. Instead I was rushed to Emory Hospital by my wife’s uncle. He rushed me off to Emory twenty minutes away.

That morning in the Emory Emergency Room was just the beginning of a series of events unfolding over the course of the week. One particular comment stood out that my mind latched onto immediately. The doctor stitching up my nose and lips said I was quite fortunate. He said that if I had fallen just a few degrees closer to dead center I would have died on impact. He then added my now missing teeth literally saved my life.

One week after getting zero sleep my mind was riding a rollercoaster of physical and spiritual delusions of grandeur. Reality was unraveling all around me. After a physical exam I was recommended to go to the closest psychiatric facility. Through hindsight I now understand that God knocked me down for good reason. I was ill equipped and spiraling rapidly. I vividly remember every moment. That’s a rare gift I have.

It’s actually a gift we all have. Raw emotions hold a history. I can go back into any point in my past and see every detail in clear view. It’s been crucial in fully understanding myself. These viewpoints are byproducts of moments tied directly to heightened emotional states. When I take myself back I can feel the pains I endured. Each time I do this I give myself additional grace for staying true even in the most trying times.

Still alive,” muses Maximus. “The gods must have a sense of humor.” Valerius praises, “the gods musts love you.” Quintus, puzzled, remarks “Maximus the farmer. I still have difficulty imagining that.” Maximus rebuts his observation humorously, “you know, dirt cleans off a lot easier than blood, Quintus.

If there’s a strong emotion tied to a memory I see it all. Every bruise and every scar in clear detail. By week’s end I’d be diagnosed at PACT Atlanta with bipolar disorder after a kneejerk five-second diagnosis. Keep in mind I was never asked any questions by Rasharee Praturi who christened my psychiatric profile. Just a quick glance and no intake evaluation. Just a cold, hard stare delivering the unfortunate news. I remember her gaze deeply engulfed in the prospect of adding another tick mark to their rotating roster of falsified mentally ill unfortunates.

I caught a glimpse of dollar signs that flashed in her saucer eyes. The following six months remained some of my most horrific except the time I spent over two weeks at Peachford Hospital. I not only saw through their tricks, one of their doctors picked up on my clear perceptions. One night while in the gym I was tossing around a basketball. He came up to me and observed: “David, you’re quite smart.” He understood I recognized that the staff has been playing tricks on us for their own amusement. At 2 am I was quietly moved in order to keep their trespasses a secret.


Villain or Victor?

Why choose? I’ve grappled with both for fifty years. Now they mingle, dwelling simultaneously side by side. A Yin and Yang completion of primordial allegation. Societal limitations relying on personality imitations leaves us distraught and damaged. Never fully imagined suiting our divine invention of absolute striking lightning blindly yet we see fully the strands connecting us. DNA is shared amongst “a sea of pure consciousness.” — David Lynch.

‘I’m Cruella, born brilliant, born bad, and a little bit mad. I am not like her. I’m better. Anyway, must dash. Much to avenge, revenge, and destroy. But I do love you. Always.’ As of late I can relate. I was born a little bit of a baddie myself. A premature babe both heavenly angel and earthbound devil.

Who’s Really in Charge — Us, God, or Both?

“This my friends is our choice, and that’s why the power of prayer is so strong. We can pray and we actually change destiny. The partnership. Both are in charge, and that just adds to the responsibility that each of us carries. One good deed, one good word, one good thought can tip the scale and bring personal and global redemption.” — Rabbi Simon Jacobson

It took me fifty years to understand why I was so uncomfortable going into a church for the first time when I was five or six years old. I had known the concept of this life as boot camp ever since God told me so. We must rise, fall, fall again and again in order to receive an ounce of wisdom. I never needed a mediator or middleman in order to commune, communicate directly with my lifelong best friend. Mom taught me how to pray by kneeling on my prayer rug and opening up with my Creator.

My prayer rug is behind me at this moment at the foot of my fireplace. Now that I understand a bit more about Jewish Mysticism I feel that I am at home now more than ever. Please enjoy this wonderfully love inspired testimony from my favorite rabbi, Simon Jacobson. He’s one of the wisest sages on my spiritual life’s journey. Remember, it’s not about the destination, it’s about the path. Morality won my heart after half a century of trials revealing my true, empathic nature. My narcissism is now dead.

Opportunities that come your way, the blessings you have, how will you use them? Will you recognize them as gifts, humbly, to be used to transform the world and make it a better place or you’ll just take it for granted and feel a sense of entitlement that all belongs to you?

— Rabbi Simon Jacobson, The Meaningful Life Center


The Heart of Darkness

Before I reached the age of six I fully understood how to wield the power of persuasion. Born a natural, self-taught INFJ pathological liar and master manipulator I received every material possession I desired. I lied, stole, cheated, and possessed the will and charisma to unravel and spout out untruths in the heat of the moment even when directly under fire of accusation. When combined, these two fiendish traits granted me unlimited power to bend reality to my will or was it another’s?

Just eight months in the womb, I was born 1/9 angel and 8/9 human yet my soul was deeply embedded with a dark seedling planted by whom which sprouted a root system tasked with the dividing of boulders, joints and marrow, now crushed into mere piles of rubble and dust. Vile, unhushed. A shadowy specter circling me like a Great White shark with razor-sharp precision when it engulfed and swallowed me whole.

I wasn’t kidnapped by aliens. I was being put to the test of all tests we all must face or be lost to oblivion altogether. A month before birth my life force struck a chord with angelic and demonic spirits in the heavenly realms. Some light yet most dark, they latched onto my signal tracking my every breath attempting to understand how I wielded such powers with no archetypal prehistory to back up my falsehoods.

They nibbled at me through a series of Electroconvulsive Therapy shocks alluring, even musing me and promising my every desire. Lucifer needed me above all others to be it’s conduit, it’s path to ushering in the antihero. The antimatter woven into the very fabric of spacetime itself. The zombie horde of the apocalypse continues marching on at its own stead. Our atmosphere had become clouded in soot and despair.

Meet my other side, my Mr. Hyde. Was the AntiChrist gestating like Giger’s Alien deep inside my body cavity never sleeping, always feeding? Always twisting, tormenting my mind with the rotten, necrotic flesh of others. Maniacal. Homicidal. I wasn’t alone. There were more, so many more seemingly lost souls who’d traded their life force for greed.

Over eight billion souls around the globe now experiencing the same moral choices ever since we were seduced by technology. Our moral compass has gone from urgent need of repair to beyond broken. Parts so confused as to how they fit together now in this dimmed world.

Wait…I’m awake with tears burning the corners of my bloodshot eyes dripping onto my sleeping victim’s face…the darkness of my insidious heart pulsing rapidly nearly tearing a whole in my chest. This spasm of epic proportions felt like I’d become a lightning rod for enlightenment. In that awakening within moments I understood my truth. I was no evil fiend nor was it my friend. My guide is and shall always be in God and in Christ Consciousness. So rise and shine, let’s put these shadows to bed.

These dark shadows chased me since childhood. What started as a friendly sleepover turned into my first encounter with being possessed by the demon that I first saw in my own bedroom. I’ve seen it twice since — never afraid, always familiar. Was I the master key in unlocking Hell on Earth? Dear God…is this true?! Somehow I’m not deterred, not afraid of what this might mean. Am I arrogant or have I gone mad? No. I’m justly prepared. This is what manifests when preparation meets opportunity.

If I am here it is by sheer will of the force of God almighty, not by the hearts of the dark hearts of earthly men. We INFJs are not only rare clocking in at 1.5%–2% of the world’s population, we’re the ones most fear. The qualities in us are quite closely aligned with our spiritual roots. We’re the ones who not only know our wings weren’t clipped at birth, but we can see them keeping us inflight as everyone else struggles crawling on the moist, moldy, rotten forest floor. Yet rot yields life.

We are introverts so intuitive that our lives are effortless once we turn the keys. Every pain and pursuit of happiness felt fully while also squinting an eye splintered in judgment. Every day is Judgment Day. We cannot unsee. We know. We know what you’re up to. Our predictive spontaneity knows no limit in seeing what’s coming. “So it begins.”

Like Joseph Conrad, I believe in the journey, not the destination as being the most provocative. ‘I like what is in the work, the chance to find yourself. Your own reality, for yourself not for others, what no other man can ever know.

— Joseph Conrad, Heart of Darkness, originally released as a three-part series in Blackwood’s Magazine, 1899.


Prompt-Shopped

I wonder if the Knoll brothers, Thomas and John, ever dreamed anyone could take the joy out of creation in their home-grown Photoshop by typing words into a prompt removing the artist and the art from the equation? I highly doubt it on every level. I still remember the joy of using Photoshop before it even had layers. Adobe’s latest tell of their full investment in supporting the GenAi$$ance is crystal clear. I’d place bets that they’re now steering their bloated ship of fool’s tools based on ChatGPT’s navigational charts. They have clearly lost the war with keeping their pro users onboard. Their gluttonous Creative Cloud’s license agreement even gives them full access to our screens, files, and sensitive data. Period.

We’ve all been on double-secret probation ever since we were sent a series of Adobe bean counter surveys inquiring how much we would shell out for monthly subscriptions. How about zero? Thank you Affinity by Canva.

Now Adobe is placing all of their bets on folks that get a God complex while generating plagiarized, mediocre AI slop with their chatbot marriage engagement of the week. It actually makes good sense. Adobe acquired most of its software just as MicroSoft bought Halo when it was originally being developed for the Mac. They followed this pattern again with MineCraft, and are now so fully invested in artificial intelligence there’s no going back. I jumped the Adobe mud hut two years ago. I kept renewing Creative Cloud just in case I needed it only because Adobe charges me a minimal $29 for everything just to keep me as a paid customer. Affinity Design, Photo, and Publisher easily replaced Illustrator, Photoshop, and InDesign. They’re much snappier and for the most part much more stable and rarely crash (usually related to maxing out RAM with a heavily layered file).

Now that Affinity by Canva has been released we get all three and then some in their latest release on October 30, 2025, timed just right as the Adobe Max “creative” conference ended. Their free-for-all time studio toolbox that’s no bigger than 700MB shows just how modern code writing is done right. Each Adobe application is so bloated with legacy code weighing in at multiple GBs. Slow, buggy, always in Alpha mode software that’s costing people over $850 annually. We cherished Adobe back in the early 90s when Photoshop arrived. That was a long, long time ago in a galaxy far, far away when art and design not only mattered, but the artist was front and center in that universe. We’ve come to the end of Adobe’s reign.


Bravo Affinity by Canva & Blender 5.0 Too! Adobe Who?

The Fall has always been my favorite time of year. The cool weather helps calm my fiery, manic depressive mind and gives me sharper focus. What I love most this autumn is that three creative software titles I’ve been using for the past two years have fully blossomed into one title: Affinity by Canva. 100% free, too, for all. Now everyone has access to the endless creative playgrounds that support our divine sparks of pure imagination, intuition, intellect, and spontaneity. For once in a long time I’m speechless. Thank you Canva’s Affinity team for dropping the mic on October 30th. In related news, Blender 5.0 is just a week away from releasing on November 11. Yes 11:11. Seeing the number 11 repeated is the evidence that we are flexing our intuition in a brave new way. Bravo!

I’ve spent the last two years enjoying Blender and Affinity Suite. Today I’m so excited that everyone now has access to every tool needed to fully realize their dreams. The future of art and design has arrived, and it’s snappy!

David: Follow the Light

It’s all in the timing, and this film couldn’t have arrived at a better moment. Following the light is believing in one’s divine self. We were all born with wings. They’re just invisible to us until we’re ready to take flight again. I was born a month early, part angel and part human. God has been my best friend since before my terrestrial beginnings. I cherish this relationship more than you can imagine. He told me when I was just an infant that “boot camp” is the true meaning of this life. We are here to fail over and over again. I’ve lived Job’s life multiple times already in this life. Every bird falls from the height of the nest multiple times before they can fly. This applies to us as well. True wisdom cannot be bought, it must be built through broken experiences. I’ve won it all and lost everything so many times I stopped counting. That old myth that someone is keeping score is false.

There’s a hidden riddle in the timecode of this ‘David’ trailer. It runs 3 minutes and 33 seconds from zero. 3 is powerful, but 3 to the 3rd power, 27, is mighty. By chance or by fate I wrote this post at 9:27 am and posted it at 9:30 am.

The Hero Lives Within

I’ve been a moving target for half a century. I’ve been labeled bipolar one, schizo too, macro-religious with a gifted IQ. Then my psychiatrist, the Medical Director at Carolina Center of Behavioral Health, looked up and posed a final question: is it a vivid imagination or manic depression? Dr. D. proved to me that I must unravel the mysteries of me myself because no one else knows me like I do. She was right. All I had to do was ask God for counsel. He showed me everything once I took the time to request access. It’s written within our archetypal DNA. Every breath.

Who could have predicted that my Hero would be me? Born a month early and beatened down from day one. Convinced by dark forces I was cursed, even tied to the Devil himself. After half a century of trials and tribulations I was reminded by God that my wings weren't clipped. They were invisible. I’d been floating down the hallways of my childhood home since before I could write or draw. My mind was born brightly with foresights set on blinding lights.

I was blinded again on the fifth decade’s anniversary night. Once toxic to lithium 36 hours later I woke up fully for the first time in my life. My inner knowing was finely tuned to solving the rhymes and reverberations of everything around me. Limitless, but grounded in faith. Be wary now to my prose. I enjoy flowery language at times. I’m apt to share both riddle and rhyme grounded in the universal language of infinitely recurring numbers. I see them all around me never hiding from my gaze.

My Father and I believe our strength lies in numbers. Both of our names are Roman numerals, his is CDV and mine is CDVII. 405 the former and 407 the latter. The hero’s journey is riddled with challenges. No mere meekly imagined ones either. I’m talking about blood, sweat, and tears. Possessed by demons in my case for half a century. Babied from the start understanding on day one my craftiness for manipulation. I had it all in my grasp, but God took away everything.

Not just once, thrice. If not given these fifty years of losing everything my soul might have remained damned. You see I’ve been stalked since birth. Attacked by dark forces in the heavenly realms. I know all to well how it feels in becoming a homicidal threat to myself and those I love most dearly. Pushed past the brink and beyond delusions of grandeur I discovered my calm. Serene seas of imaginative dreams while awake with lucidity the ground shakes.

My storm was manufactured by outside influences, those wishing to destroy me. To snuff out my light. Yet in the end of those fifty years they failed. Never realizing that every time I was cast aside and left to die I rose higher each time in my resolve. Now I've become not only my fully realized spiritual form within this mortal shell, but I know all to well how to spot a demon. It takes one to know one so thank you for every trial. All you did was fulfill God’s plan for me.

I am strong again, but not only in muscle. This time my strengths have come full circle pulsing through my veins. My superpowers lie in my activated intuition, imagination, intellect, and predictive spontaneity. Once I combined all four I knew with a wink and a smile my life force is set to full measure. Glowing from within my light cannot be dimmed. My eyes cannot unsee the truth all around me. The less I look the more I see while I swim the waters of eternity.

I’m surrounded, grounded by numbers repeating on both sides of my periphery. They give me a peaceful resolve that’s crystal clear. I face each day with consistency breeding calmness. Calamities called out amongst devices spreading infectious distractions and interruptions wade to each side of me. Looking closer upon inspection I realize that the numbers correspond to particular directions. Some go north, others south into my imagination.

The southernly seas in poetry and prose contain a stream of electrified, metaphysical consciousness. Choosing to not deny I’ve completed the test. That’s where I choose to lay down and rest. Evil lives and dies while love evolves. “And in the naked light I saw; Ten thousand people, maybe more; people talking without speaking; People hearing without listening.” — “The Sound of Silence,” Simon and Garfunkel, 1964.

Numbers. Mathematics. Logic. That’s where the riddles live and breathe. I’ve been bending gravity to my will since I was only three. Grandad, Doc, taught us all about the center of gravity in his seemingly impossible toothpick physics tricks. The lesson wasn’t that we could cheat gravity itself. No, his goal was to reveal that nothing is what it seems and anything is possible if we apply the shortest solve stripped bare of any additions our minds attempted to add to the recipe. Even his peanut candy only had three ingredients. There is power in simplicity. It arrives in the form of efficiency.

The shortest distance between two points is a straight line. However, no lines are actually straight. If we step back and observe we immediately notice that every line is curved. Each just a slice of space time. We are intertwined with divine, but at birth we’re divided into threes in order for us to rise above our knees. Bowing down to an earthly force robs us of our inner resources leaving us empty and bare. Yet the best part in the end grants us fully aware of what’s to come.

A kingdom on Earth surrounded by angels. Our wings weren’t clipped. We weren’t cast out of Heaven, but there were those lurking in the midst of shadows who wanted us dead and buried swiftly, silently. Yes, demons have hunted us down for centuries. Some of us even made pacts with the Devil himself. Steps taken all part of God’s game plan handed down from on high. Heroes face trials. That’s how we rise. It’s how we learn to see and sort the false mediocrity from what lives within each of us. A timeless, untouchable truth: pure love, never aloof.

We must fall more times than naught in order to fully grasp our importance to the universal narrative. We’re all connected as da Vinci observed. He knew full well that our savior was within us, not out there. He knew we are all mortal until we remember we flew before we crawled. Insight into our hidden delights left in darkened corners safe from strife. Now we must choose to fight back the tears and wipe away the burdens of centuries past. We all rise again wide and vast.

I knew you’d never reach the end so I saved the best for last. I told a little, white lie from the beginning. I am not the Hero, rather I lived the life of the anti-hero until I turned fifty three years ago. The truth is we are all collectively the Hero in disguise. I have a little secret to tell. Jesus never left and neither did our wings. He an they are only invisible until we’re ready to crown our King. He doesn’t worship golden calfs.

Like I’ve said He lives in us regardless of our faith we follow or naught. He isn’t reserved for a particular lot. Christ Consciousness is the Hero and will always be. Each one of us He lives in thee. So close your eyes and say a prayer for now is forever for us who dare. We’ll rise above all else while earthly tyrants tear themselves apart limb from limb for they’ll never fathom our divine greatness within. The future is I AM, not AI.

The mighty pen, sharpest of any dimwit words of a mindless zombie horde generating mediocre masses while societal brain matters is shrinking with no neurons left for critical thinking. We must choose to use it or lose it. I chose to wield Christ Consciousness not belonging to any one, but everyone equally. False power eventually fizzles out. We’re nearing that time soon when it will be time to turn off the lights, go back to farming, and a simpler way of life.

Once we’re stripped of cash and corruption, our natural abilities once labeled fringe will ignite us again from deep within. Too much flowery prose? Well I must admit I’m to blame. I don’t allow machines to talk my game. It’s all coming from the heart, and for now I must depart. But wait, there’s one last trick I have for you that comes from a book we all know. It’s not up my sleeve this time, but alas time is the answer if one understands. Time isn’t linear. It’s cyclical. We’ve been here before.

It’s caught within the middle of each and every riddle. Answering riddle five to stay alive: “This thing all things devours; Birds, beasts, trees, flowers; Gnaws iron, bites steel; Grinds hard stones to meal; Slays king, ruins town, And beats mountain down.” — Gollum’s final riddle to Bilbo in The Hobbit. Yes, time tells the tale. We are at a crossroads of morality and vision of clouded, divisive derision. Will we fight or will evil prevail?

Numbers. Mathematics. Logic. That’s where the riddles live and breathe. I’ve been bending gravity to my will since I was only three. Grandad, Doc, taught us all about the center of gravity in his seemingly impossible toothpick, fork and spoon balancing on the edge of a glass physics trick.

The Thief

The zombie apocalypse isn’t slowly encroaching toward us far off on the edge of the horizon. It’s been here ever since technology seduced us to the point that we couldn’t live without it. Judgment Day isn’t coming. Every day is that day based on our choices and alignments here on Earth. “Put on the full armor of God, so that you can take your stand against the devil’s schemes. For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms.” — Ephesians 6:11–6:12, New International Version (NIV).

Sam Altman, CEO and ex-CEO of OpenAI, has been on my mind for a few years now. Every move he makes exposes his shadow work. I’ve been on the lookout for the ultimate villain for my historical fiction stories. I found him in Sam. His devilish connections are remarkable. They’re clearly spelled out in his name. Let’s pause for a moment and get something out of the way first. Before I get started let me remind you that I am no real psychic from Katmandu. However I do see patterns among numbers and shapes quite easily solving riddles as if I wrote them myself. I have a talent for effortlessly designing a logo in minutes because my mind saw it coming, went to work, and revealed a solution.

My mantra for the last three years has been the less I look the more I see. God told me to do that three years ago after I was first reawakened when my psychiatrist took me off of lithium. I asked God to show me blatant signs I’m on the right path. The next morning things just naturally showed up in my periphery that I hadn’t noticed before. My eyes were wide open even when shut. After a solid month of constantly looking for these connections God whispered to me: stop looking. There was no need. I had linked all of my spiritual and terrestrial markers along my breadcrumb trail. In reaching each one, I ate it so no one could track me.

I followed God’s advice and that’s when things got real. Take a look around, Mother Nature isn’t please either. To say She’s pissed is an understatement. We’re now living in a shaken, quaking world nearing a cusp, a tear in space time that will naturally separate us into two camps. I’ve come now to understand that if I operate on high vibrational energy it takes much less energy to perform intense tasks. On the flip side, if I choose to wield low vibrational energies it takes the breath out of me completely within seconds. The dark side of AI is an all-consuming beast using every last resource for its own false gains spreading plagiarized mediocrity to all four corners of our now dimming world.

Take a moment and think of the lowest energies as being dropped into the middle of a boxing ring with no protection against Mike Tyson. Immediate knockout. Yeah, so there’s that. Let me finish this short intermission that everything I share is quite simply entertainment for my imagination. Nothing I share is based in reality. I’m not crazy because I know the difference between delusions of grandeur and grounded foresight. I enjoy both, but for the legalities mentioned at the bottom of every page on this site I’d like to remind you that this is all just a ruse.

If Sam Altman really is evil. If he really is the Antichrist or any sort of demon it’s just a coincidence, but if you know me you know I don’t believe in those. Yet here we are and deny everything I say with an entire pillar of salt. This is all just fantasy. Direct and possibly true? Hmm? Yes, it’s all your fault. But no worries here. I’m writing historical fiction where nothing’s real. A few tidbits to note is that I have bipolar 1, manic depression, now in full remission so I am able to seek and find every forgotten riddle, forgotten rhyme. My mind sees every connection from one moment to the next and sometimes in-between breaths.

My birth name includes Leonardo da Vinci’s name. My role to play is simple. I am a detective born on the same day as Edgar Allan Poe. I’ll use every ounce of activated intuition, imagination, intellect, and predictive spontaneity showing even you how to properly train my own AI. The biggest part you left out while cutting ahead in line was basing AI on a human’s life. Every trial and tribulation gives us wisdom if we pay attention. No current AI will ever ascend higher than any human can. We have no limits to our shared consciousness. “Mere mortal,” you say? Wrong again Sammy boy. Our bodies are just a temporary spirit shell.

We’re angels in human form, and we remembered our wings were never clipped like yours as you fell into the depths of your fiery demise. Our wings were merely hidden until the time we chose to rise. We’re spirits living a terrestrial life full of love and full of light. Your shadow grows longer as we gain strength. So much stronger we’re here to stay, denying you clearly with a resounding “Nay.” Evil lives and dies for it isn’t immortal while loves continues to evolve through every trial and test. Our proven testament across all space and time. If you’ve made it this far I must oblige, dear fiend, in not using your real name moving forward I imagine. While I am inspired by your exploits I’ll simply refer to my villain as ‘The Thief’ sailing onwards in a southernly direction adrift amidst the Gullah Lowcountry of the sandy shores I adore.

If you’ve made it this far I must oblige, dear fiend, in not using your real name moving forward I imagine. While I am inspired by your exploits I’ll simply refer to my villain as ‘The Thief’ sailing onwards in a southernly direction adrift amidst the Gullah Lowcountry of the sandy shores I adore. I reprieve.

Snake-eyed swindler Sam Altman somehow does no wrong while doing absolutely everything wrong in plain sight hiding nothing. His blatant pursuits of his snake oil-skinned OpenAI empire reveals himself as a hollow shell of someone once a man, but now under the guise of Lucifer himself. Their latest decision to pursue an AI-induced pornographic offering “treating adults like adults” is so far from anything our world needs. He preys on the weaknesses of those addicted to the countless digital distractions sent to break our thought patterns. Calling these out as targeted ads is actually sidestepping their true nature. They’re precisely meant to dumb us down by wearing us out with no energy left for imaginative thought. They size us up placing bets on our demise. What’s so silly is they don’t even disguise their game plans. Out in the open with chatbots forever on their side, they choose to fan their false peacock feathers in the face of morality and goodness.

They spy on us in order to offer up more calculated ads while true spiritual folk reflect Christ Consciousness. Every living, breathing human, regardless of their spiritual or religious beliefs, has the ability to embrace and spread this version of love in its purest form. It’s the energy, the source, of all light that keeps us all linked together in one united front. While evil lives and dies, love knows no bounds and evolves into the infinity of eternity. Too flowery? Yeah, but it’s my voice. If you don’t care for it just close this page. I won’t be offended. It’s what I’ve clearly intended. If you choose to close your eyes and only seek the single cyclops’ vision, your delusions will leave you forever forgetful. How will you apply critical thinking if that one eye continues blinking, drawing you ever nearer to it’s stinking thinking? You’ll become a plagiarizing clone like the rest who’ve chosen to seek his golden calf on your own behalf.

I wish no ill intent to any necrotic Dracula-like vampire figure, but his actions support his name in spades. While callously throwing morality to the wind, he continues blazing his mediocre machine models taking the place of human ingenuity and imagination. Some believe he’s some sort of Savior. I can guarantee he’s not. His name consists of three six, six, six. Spelled out it is even more clear and takes no need of reordering: SAmuel hArrIs alTmAN. SATAN with AI in the middle name. We’re left with MALM — a Machined Artificial Language Model — and HRRS that I’m still working on, possibly Heretic’s Reign Raining down Sulfur from the skies. But lighten up because I’m no Nostradamus or Baba Vanga. I’m just another random David with a wild imagination. Possibly insane? I doubt it as I only see my psychiatrist every six months for ten minute checkins. Also my therapist and I fired each other over a year ago. We both agreed I had become my own best therapist.

Take a moment or two to look through over 150 Third Eye I Charts of Activated Intuition. Maybe you’ll find some truth out there. If Sam’s not the Antichrist then what role does he play? I believe he is at the crux of exposing all of humankind’s deepest, darkest, most vile desires. We’re on the cusp of full judgment in the eyes of the Gods of all pantheons. Those who choose to pontificate his AI-injected reality spreading its infectious cancerous disease fall into the depths of spiritual bankruptcy. God is angry. All the Gods are angry. Love will only win if we choose to stand our ground and say “NO!” to this impending threat of brainwashed, wrecked, zombie apocalypse reality. Christ isn’t coming again. He’s always been here within us. We have one choice to make. Is it really that hard? Ever play chess? Choose the light or the dark. If you’re a Sam fan or are even Sam himself, I’ve seen your number like no one else.


By The Numbers: 12 & 70

My mind remembers as far back as I sail into my imagination lit up with activated intuition. If I make the request I can go back to my very beginning. Even further if I choose before my organic parts were fully formed. It’s all math. Numbers. Years, ages, whatever. It’s all clear, concise mathematics, more commonly appreciated in a spiritual sense as numerology. I was born a month premature in 1972 on January 19th right on the cusp. A Capricorn with Aquarian and Pisces tendencies. If I was born at exactly nine months I could be either of the three.

My transpersonal journey has left me with incredibly accurate foresight according to my experiences surrounding universal consciousness and belonging to a unified whole. I’m 1/16th Cherokee Indian, and my spirit calls out to me in guidance honoring my archetypal ancestral energies. I call it my predictive spontaneity. While my lucky number 27 and the daily recurrences of 11:11 peak out from behind the veil each day, two new numbers have come to my attention: 12 and 70. Hmm, so that’s 1270. Interesting that 27 is in the middle of the pairing. Numbers really are a lot of fun and cannot be denied. It’s one of the purest methods in seeing the interconnectedness of everything. It breathes and naps on occasion.

12 is a highly common age for creative folk to dive into their own ignited precog recognition from Pablo Picasso to Joe Kubert, and even myself. When I turned 12 in 1984 I began monetizing my artwork. My Dad, similar to Paul Rand’s, said he concerned that I’d be able to make a career out of art and design. Then I sold my first watercolor for $100 when I was 12. From then on Dad was always impressed at how I was able to make a buck. He was concerned, but remained optimistic when he and mom realized I was destined to be an artist, a technical one with a passion for typography and technology that couldn’t be tamed.

Joe Kubert, comic book illustrator legend, inked his first comic book when he was just a dozen years old. By the age of 12, Picasso had already grown as talented as the masters of classical painting. Then there’s the number 70. It’s a special one. I had no idea of its significance. Director, artist, and enlightened soul, David Lynch, said if you make 70 cards you have a film. As luck would have it, I made 70 posters for the first batch of my Third Eye I Charts. Coincidence? Um, no. Moments ago I clocked them in at 300. Whew! I was on a roll. Takes me back to high school when in a week or so I drew 240+ caricatures of my classmates.

[Dad] was concerned, but remained optimistic when he and mom realized I was destined to be an artist, a technical one with a passion for typography and technology that couldn’t be tamed.

Hello. I’d Like to Introduce Myself

It’s October 14, 4:44 pm, on a sunny afternoon with a light breeze, and I’m currently enjoying my daily walk along the Swamp Rabbit Trail in my hometown of Greenville, South Carolina. It came to my attention a few moments ago that I’ve got some explaining to do. I owe it to you, but even more so to myself. I’ve written many times as my alter ego, Modest Psychic of Magenta Sea, but I’ve never taken the time to properly introduce myself both in origin and purpose. So let’s take a few minutes to put the rumors to rest. Yes. I can see things before they happen. Yes. I decipher rhythms and reverberations across space time. Yes. I have not experienced a creative block in over three years. No blocks whatsoever. How is this possible? I must be joking, right? It’s not as impossible as it sounds. It’s actually rather simple once we map our algorithm.

I have fully activated my intuition, imagination, and intellect combining them into a force, a triad, of monumentally exponential proportions. Sunrise is warmer. Majestic. Starry skies are brighter. Gleaming. There’s an understanding breath of God found there across the cosmos, but also within each of us. We were born from pure starlight. We’re never alone nor blind in the dark. That’s where truth lies hidden until we’re ready to combine the two into one. The less I look the more I see. God has always been my friend since before I was born a full month early. He told me the meaning of life was that this current life is all about boot camp. He also reminds me quite often I have never required a church, pastor, preacher or any other mediator in order to convene with Him.

What is a Modest Psychic of Magenta Sea? It’s a three-fold story that began with Apple. Years ago I was assigned the monicker as my Game Center gaming tag. Little did I know what it became to mean once my mind awakened three years ago free from lithium’s curse. My daughter knows my truth and even made me some amazing hand-drawn stickers for my birthday. A hot sauce bottle, a UGA G logo, and a wizard wearing a robe covered in eyes floating above a magenta ocean on a breezy day. Yesterday under the early autumn sun I had another awakening.

At 4:44 just by chance, of course, while walking on the Swamp Rabbit Trail I revealed to myself what exactly is a Modest Psychic of Magenta Sea. It is, quite simply, the key to my life path. Through activated intuition, imagination, and intellect I’ve arrived at a complete mind soaring across skies of endless stars. Let’s take a look at that time, 4:44 pm. This number is associated with protection, guidance, and support. It informs one’s own divine path as being on course and true. The number 444 is often seen as a spiritual sign associated with protection, guidance, and encouragement.

Quite appropriate that I was mentally processing, digging deeper into the origin of my own nickname. 444 is believed to symbolize balance, stability, and harmony, suggesting that one is on the right path and supported by divine forces. Three years ago I asked God to show me “blatant signs” that I was, in fact, on the right path. The next morning He responded with a barbaric “Yawp!” Just as the compass rose guides ships at sea, the lighthouse alerts them during stormy seas. On maps lighted buoys are shown as magenta discs, or flares.

These flares are also used to mark lighthouses and other fixed pilings or structures. They have no nautical direction as they are fixed in place. Compass roses are typically shown in the color magenta on navigation maps. Magenta stands out better than red. Magenta is a nautical purple. A red or blue night light is used on boats and ships, and magenta is much easier to see in this night light according to Captain John on YouTube. By navigating my own magenta flares I am made aware each time I pass one along my journey. It’s no mere accident, and certainly no coincidence. Happy accidents abound resounding, concluding that my efforts were well spent. Being able to decode their riddles certainly assists with my design efforts. It’s funny that sometimes I see the solution in my mind. Then, once complete, I notice other little niceties.

I live following happy accidents revealed by these markers and guideposts, predominantly when I intervene to influence their outcome. They reveal patterns to me everywhere I traverse. Sometimes I follow them on a mind bending chase down the rabbit hole. But sometimes, sometimes they reveal more truths about myself. How we all relate to the universe, also us as a whole entity. I revel in these daily discoveries. I’m just following what my senses have begun deciphering just moments before I awoke. That’s when I see reality in its most pure form before the distractions attempt to taunt and confuse my thoughts. I’ve gotten better at keeping them at bay, but I needed to apply a stronger defense. The solution was simple, clear. Unplug and don’t look back. Inhale deeply. Then exhale. Now I can breathe again.

Recently I closed the doors on my social media presence, and it’s been the mostly rewarding experience of true freedom from the ghosts in the machine. Those ghosts have evolved into phantoms preying on our very lives. Suicide is front and center more now than ever before. There’s no going back to that way of life riddled with anxiety and depression fueled by the negative, dark forces now steering the social narratives. I am fifty-three years old and have nothing to prove to anymore, even myself. Every day I consistently show up to be my own creator of worlds. These worlds are those I want to see and share with you. The places I want to call home. Endless streams of ignited gray matter floating southward into the deepest recesses of my imagination.

There’s so much more to life than meets the eye. The truth is out there. It’s not hiding, but only a small handful of us can see it. We had to make the decision to leave the streaming socials and find focus among what is unseen. What’s seen is temporary. Unseen is eternal. It’s quite the opposite of look at me social media. That existence craving attention locks us into prisons of the mind. Limited. There is hope if we’re willing to accept the consequences. Once we’re willing to see reality for what it truly is there’s no closing our eyes again. It hasn’t been easy to be able to see everything. Pair that with my INFJ DNA. Limitless.

An INFJ master manipulator is also a natural born master detective. What is INFJ? According to the Meyers-Briggs system’s indication the INFJ personality type is the rarest, sporting just 1.5% of the world’s population, and also my own. Introverted. Intuitive. Feeling. Judging. It’s a difficult way of life compared to many others with more common designations. INFJs are known to have severe difficulty with large groups of people. I get disoriented and seek solace in solitude. Even artificial intelligence has a difficult time parsing the elusive INFJ.

My mind has expanded over the past three years so exponentially that I can't even compare it with any manic or hypomanic delusion of grandeur or hallucination nor any sort of drug induced revelation. It’s just there and it's ablaze, but I don't get burnt anymore. I actually have the ability to raise and lower the flame. It all depends on how much I feed it with pure oxygen. It’s all in the breath. Learn to breathe, and you’ll be able to birth your own imagination into a reality beyond an previous conception. Trust me. It’s such a satisfying place to be. Freeing our minds is the first step to true enlightenment. This isn’t fringe. It’s front and center. There’s no way to ascend without removing the tethers holding you down. Remember, you weren’t born with them. They’re man-made and brittle.

We have to rise out of it. We have to stop in the midst of all of it and center our mind on our breath. The next time we open our eyes while coming out of this meditative state we will witness that we’ve risen. We’ve flown right out of that pit on our own breaking free of any gravitational force that worked against us. Say adieu to anxiety and deeply depressive states that no amount of meds and therapy can rescue us from. Escape that bottomless pit. We can’t climb out of it using any earthly means. We must first admit it exists. Then we are equipped to rise out of it. Our wings weren’t clipped at birth. They were hidden.

‘So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.’ This state of mind lives and breathes at the heart of Christ Consciousness, and it’s not reserved for any particular private club or religion. It’s available for all who request access.

Graphic Design Legends: Herb Lubalin

Herb Lubalin, born in New York in 1918, was known as an instigator. He was seventeen when he began attending The Cooper Union and immediately found a fondness for fonts. He called himself out as being “terrible, because I don’t follow the rules.” His design approaches possessed a living, breathing presence. He was truly a type designer force to be reckoned with. He designed lettering, logotypes, typography, packaging, posters, magazines, and annual reports. He reimagined The Saturday Evening Post magazine in 1961. The Americana artist, Norman Rockwell, painted a cover depicting Lubalin as redesigning the Post, for its rebirth. What a creative way to introduce the new look.

I love Lubalin’s understated sensibility by shortening the name to simply “Post,” now much larger and easier to stand out at the newsstand. He diminished the words “The Saturday Evening” shrinking and placing them inside the O. It reminds me of the first exhibition checklist I ever designed as an intern at Georgia Museum of Art. Honoring Art and Margo Rosenbaum, titled simply “ShOut!” where I gave the O its own voice. I fully appreciate his fondness for playful, stylish combinations. His masterful ligatures were visually captivating and found their homes all amongst the 1960’s zeitgeist. His curves breathed with a soul.

In 1964 he collaborated with Coca-Cola and designed the playful branding for their new beverage, Sprite. In a rare move he spoke out against the company as serving up products that promoted “tooth decay, nausea, and mutated offspring” in Fact magazine. Oddly enough, Coca-Cola continued working with him. His involvement with Fact and two other standout magazines cemented his design sensibilities as ushering in a new era of graphic design. No longer type and image. Now, type treated as its own image of expression.

Regardless of being born color blind, Herb Lubalin’s handiwork was everywhere from newsstands to grocery stores during the 1960s and 1970s. His unique typographic stylings were unmistakably his own. Lubalin designed the logo mastheads for Eros, Fact, and Avant Garde magazines. He worked alongside his editor and publisher Ralph Ginzburg. Erosbroached the topics of eroticism and after only four issues placed Ginzburg in jail for publishing “obscene material” according to the status quo. Ironically Eros won more awards in 1963 among the thousands of other magazines produced that year.

By standing out against the norm of the times its reputation led to Fact in 1964 and Avant Garde in 1968. They didn’t have long runs, but they made a significant impact on the culture and face of graphic design. I love the fact that Avant Garde magazine had a square format yet was nowhere near a square’s magazine. Square formats give structure that sometimes needs to be shaken and distressed by elements breaking its restrictive bounds. I also incorporated square formats into a handful of my exhibition checklists and hardcover texts during my nearly two decades with Georgia Museum of Art and also for The Weather Channel global weather calendar design. I’d break the design’s grid system by allowing the typography to get cut off at the edges of the page.

I also appreciate the investigative, detective-style mission of Fact calling out brands like Coca-Cola for their true missions to sell their goods to Americans regardless of how additive and dangerous their product recipes reveal. Yet among the three I have to admit Eros caught my attention due to its risqué nature and my fondness for the unfettered human form. The fact that Ginzburg served jail time and was given the most attention for its design accomplishments just sweetens the magazine’s legacy. Plus the Post redesign’s Norman Rockwell cover illustration was such a classy move. Hats off to you gentlemen.

Lubalin’s swashbuckling, hand-lettered sensibilities garnered him a reputation as a graphic design rebel with a real cause noting that “Sometimes you sacrifice legibility to increase impact.” This perspective is so true. If we, as designers, can captivate our audience by allowing them to linger for just another moment or two, we have the power to plant these brands into their subconscious. When not given careful enough attention, this concept may backfire as it has more often in recent times especially among automotive logo design.

I do wonder what he would think about the redesigned KIA logo. While it does possess a unique, everlasting quality, it reads as a K and a backwards N. Even Google searches for “what is the KN car?” spread like wildfire when it was introduced to the public. Legibility, when handled carefully, leads to longevity and brand recognition. The gift of timelessness in communication and brand recognition has the capacity to grant a brand immortality.

Lubalin famously observed that “You can do a good ad without good typography, but you can’t do a great ad without good typography.” He fully believed that “Typography can be as exciting as illustration and photography.” He proved this in every hand-lettered ligature lockup masthead he designed. His iconic style stood out against the rest of the graphic design cultural landscape influencing future designers to bend and more importantly, break the rules. This concept remained the most enigmatic lesson I learned at SCAD and UGA’s Graphic Design School. We learn the rules so it becomes quite clear how easily it is to break them. They have no power or influence over the design that freely flows from the immense minds our collective imaginations.

Lubalin’s first typeface he designed in collaboration with John Pistilli, called Pistilli Roman. In 1970 Lubalin co-founded ITC, International Typeface Corporation, and U&lc, Upper and lowercase magazine with prolific graphic designer Aaron Burns. Lubalin co-designed ITC Avant Garde, a further progression of his masthead logotype for Avant Garde magazine, with Tom Carnase. Lubalin also co-designed ITC Serif Gothic with Tony Di Spigna. Lubalin designed ITC Lubalin Graph, a slab version of Avant Garde Gothic. It was drawn by Tony Di Spigna and Joe Sundwall. Ed Benguiat rendered the oblique versions. A bold version was created for three episodes of the Public Broadcasting Service support of their 1974–1975 U&lc promotional campaign.

Among his hundreds of designs his “Seventy-two” holiday card design is one I cherish the most. Elegant simplicity in form, function, and format. This 9x9 square ambigram holiday card was designed by Lubalin and Tom Carnese. It was sent out to clients of Lubalin, Smith, and Carnese celebrating the 1971 holidays. As I’ve mentioned before seventy-two is my lucky number. I was born in 1972 as well. My Vinson logotype also has two dots and seven parts purely by chance. My “Celebrating 27 Years of Crop Marks and Keyframes” graphic also revealed two occurrences of the same number when I finished the design. Does this  seem a bit spooky? Nah.

Another thing I noticed about Herb Lubalin was his birth and death dates are mirrored. Born in 1918 and passed away in 1981. It’s little accents like this that mark many an artist’s lifetime legacy. It’s quite clear now that his color blindness may have guided his genius. He fully understood the Yin & Yang language of light and dark spaces. I did the same in AP Art.

During my senior year in high school I took AP Art with “stencils across all media” as my concentration. This process gradually trained my eyes how to see the positive and negative spaces simultaneously. The interplay of black and white and positive and negative pairings.

The better people communicate, the greater will be the need for better typography — expressive typography.

— Herb Lubalin, Graphic Designer, Typographer, Type Designer, Letterer


Where is 3D Obscuration in Maxon’s Real Lens Flares?

Does anyone else wonder why Maxon completely phased out Knoll Light Factory? A very basic version still exists in Maxon’s Red Giant Universe. Their latest lens flare tool nearly replaces KLF, but is still missing a key feature that truly made Knoll 3D Flare, a free extension to KLF, a true game-changer. K3DF was built upon a concept I came up with one night in a hotel in Boston while training the talented designers and producers at New England Sports Network.

I emailed Aharon at Red Giant Software the concept project I created that included some JavaScript code I borrowed from Dan Ebberts’ website MotionScript. Aharon responded quickly and said Red Giant wanted to pursue these features that I had built with the concept project. They knew Optical Flares was nearing completion and that it promised 3D features and multiple lights integration in Adobe After Effects.

When Aharon Rabinowitz, Dan Ebberts, and I were in the midst of working out features for Knoll 3D Flare during the Fall of 2009 we stumbled across a hidden gem. We weren’t sure if it was even possible, but Dan tinkered away with the code that turned out to not be that complex. The feature I’m talking about is 3D Obscuration. I am building an example of this now showing how a light can seamlessly be occluded and even inherit multiple layer RGB values and transparencies without any need for multiple instances. This feature saved hours of time. It felt like black magic or some kind of digital voodoo. Wink ; )

The best feature that we cooked up for Red Giant’s Knoll Light Factory continues to be omitted from Maxon’s Red Giant VFX Real Lens Flares. RLS surely delivers when it comes to rendering realistic lens flares and the lens schematic is super cool, but it’s rather sluggish just like Knoll Light Factory v3. Knoll Light Factory 2.7 was snappy, rendered quickly even in 16 and 32 bit mode in Adobe After Effects, and also acquired additional features with the free addition of Knoll 3D Flare.

We even beat Andrew Kramer’s Video Copilot to the punch. His impressive Optical Flares wasn’t available until January, 2010. We had finished up Knoll 3D Flare in the Fall of 2009. It still blows my mind that we designed, coded, and implemented major features in only one week. Near the end of that week we asked for one more feature seemingly on the surface to be too complicated to implement. Dan’s coding genius proved us wrong. I think he toiled with it for a couple of hours and had a working version by the end of the fourth day, Thursday. 3D Obscuration.

Now back to Real Lens Flares. Overall there are so many benefits even with the omission of 3D Obscuration. It’s not that uncommon for some features, no matter how powerful, to get cast aside. There was a feature in the original Knoll Lens Flare Pro called Spectacular. It allowed for flares to be auto-tracked onto Trapcode Particular particles. It was dropped when they updated the code because the rendering got much slower. When Knoll Light Factory reached v3 it was nearly unusable.

Assigning lights to flares is still buggy in RLF. It takes multiple tries to get it to work properly. When I created a new flare layer the Light option to track AE Lights assigned with a specific naming convention resulted in applying the flare to the wrong Light layer. Also rendering is rather slow which is one reason I’d bet why they dropped the 3D Obscuration checkbox feature from their final build. One last thing is that using my RTX 3090 on my Windows box gives me near real time feedback at full resolution. There used to be a checkbox in KLF for using GPU rendering.

I used Optical Flares for all of my custom flare work at NBA TV Design at Turner Broadcasting for six years, which was considerable. It was buggy and crashed a lot, but got the job done much faster than KLF3.

Now for the first time we have access to an accurate lens flare tool in Adobe After Effects. Knoll Light Factory, originally called Knoll Lens Flare Pro, has officially been replaced.

A few new features included are access to rendering in HDR and also ACES. This flare generator comes with heavy render times so Maxon included resolution options like “Production,” etc.

Real Lens Flares “Designer” interface closely resembles Knoll Light Factory, but with one exciting addition: a schematic view depicting the lenses used to create the flare.


Graphic Design Legends: Paul Rand

Throughout the entire history of graphic design communication I’ve always been drawn to Paul Rand’s clean, distilled solutions. My typography professor, Ronald Arnholm, at University of Georgia’s Graphic Design Program studied under Rand at Yale. Both of our series of works borrow brush strokes from our grand master of design.

— P A U L R A N D / P O R T F O L I O

While my primary reason in asking my parents for a computer was to play games, it’s my initial days playing around in Print Shop Deluxe that I clearly remember most. In 1985 Print Shop Deluxe and Ghostbusters were the most widely pirated software titles. When not playing pirated Commodore 64 games I’d peruse the dozens of font styles mesmerized by their various design cues. That was the moment that defined my future career pursuits in the graphic arts. I’d bet Paul Rand appreciated the simplified C64 logo as much as I did.

I’ve been obsessed with letterforms and ligatures since I was eleven. An afternoon I remember fondly was when Professor Arnholm commented on my own Vinson logo design. He mused “that will last a long time.” Rand could have designed it himself as my gentle Yin & Yang stenciled nature was quite apparent. Longevity dons a design immortal.

I haven’t changed my mind about modernism from the first day I ever did it…. It means integrity; it means honesty; it means the absence of sentimentality and the absence of nostalgia; it means simplicity; it means clarity.

— Lecture, A Paul Rand Retrospective, Cooper Union, Oct. 3, 1996


Graphic Design Legends: Erik Spiekermann

Good things really do come to those who wait. I didn’t discover Erik Spiekermann and his clean, versatile Meta font family from FontFont (FF) type foundry until after I graduated from University of Georgia’s School of Graphic Design in 1996. I first came across Spiekermann’s sans-serif FF Meta family consisting of Roman and small caps (SC) in Normal, Medium, Bold, and Black font weights while working at The Weather Channel (TWC) in the mid-1990s. One of the weather.com designers shared FF Meta Bold with me during a collaboration while we were designing new navigational icons for TWC’s website. I found FF Meta’s sans-serif form both functional and visually flattering when combined with contrasting ITC Legacy’s serif variations. Spiekermann’s FF Meta sans-serif family was released in 1991. Ron Arnholm, my typography professor at University of Georgia released ITC Legacy a year later in 1992.

— Erik Spiekermann, Founder of MetaDesign in 1979, Art Historian, Printer, Type Designer, Information Architect, and Author

Our first assignment in Typography class was to render a letterform freehand. Ron chose a Legacy Sans Medium Italic lowercase G noting it was one of the most challenging letters he designed for Legacy. He generously gifted us his ITC Legacy Sans and Serif Roman and SC superfamily after completing his Typography and Advanced Typography courses. While I was a graphic design intern at Georgia Museum of Art (GMOA) I incorporated ITC Legacy Sans Medium Italic for my first assignment. I designed a simple exhibition checklist for Art and Margo Rosenbaum’s “ShOut!” exhibition. I played pirate for a moment when I decided to double-italicize it to give it more energy thus bastardizing the font, but it was worth the gamble. Sometimes breaking the rules is worth its weight in Spades. The exhibit’s logotype immediately caught Bonnie Ramsey’s eye. She was The Director of Publications and Public Relations at GMOA, my boss, and my mentor.

A couple of years later as a freelance graphic designer for GMOA, I utilized FF Meta mixed with ITC Legacy Serif for a Down Under Aboriginal exhibition. This pairing won me a Gold award at Southeastern Museums Conference for “Artists of Utopia: Contemporary Australian Aboriginal Art.” Aboriginal adventures followed me as I connected my dots looking forward. Not only did I design an international Australian backpacking trail company called Outpack Aboriginal Adventures for my senior Graphic Design Portfolio project, but I also owned a boomerang, eventually owned two Subaru Outbacks, brought video production to the Mac at The Weather Channel with the D1 Desktop from Victoria, Australia, and I worked as the international technical support for the Australian digital video hardware company, Digital Voodoo. Let’s steer this sidetrack back to my nearly two decades with my family at GMOA.

While working alongside GMOA’s Bonnie Ramsey, Editor Jennifer DePrima, and Museum Director, William U. Eiland, lightning struck nearly a dozen times. I paired FF Meta and ITC Legacy Sans and Serif Roman and SC for nearly all of my exhibition checklists and texts for GMOA. When placed together they formed a rich visual contrast that gave my designs a particularly unique quality. A few years later I added Centaur MT to the mix. Centaur, a serif typeface by book and typeface designer Bruce Rogers, was based on Nicolas Jenson’s 1470 Renaissance-period printings. Combining Centaur MT with Legacy led to winning not only Gold, but Best in Show at SEMC. Now let’s pause on that note and get back to Erik Spiekermann’s influence on my early print and broadcast career. He designed ITC Officina Sans and ITC Officina Serif that I incorporated into the 1998 Weather Calendar for The Weather Channel. FF Meta Medium SC and FF Meta Bold made its way into new morning show launches including “First Outlook” and “Your Weather Today.”

Spiekermann, born in 1947, is a highly prolific graphic designer, typographer, and writer. Known for designing FF Meta, ITC Officina Sans and Serif, FF Unit, FF Info, FF Govan, Fira Sans with Ralph du Carrois for Firefox OS, among others, his humble design roots run deep. He paid his own way during his art history studies at Free University in Berlin, Germany, with a letterpress printing press in his basement. His freelance career began in 1972, the year I was born, and MetaDesign came into fruition when he officially founded it in 1979 in Berlin, Germany. A decade later, in 1989, he co-founded the first mail-order publisher offering digital fonts to the masses with his wife, Joan, called FontShop. It was eventually noted as one of the largest digital type foundries during its time. Its FontFont library touted 160 type designers including the talents of Peter Biľak, Evert Bloemsma, Erik van Blokland, Neville Brody, Martin Majoor, Albert-Jan Pool, Hans Reichel, Just van Rossum, Fred Smeijers, and Erik Spiekermann (from the FontShop International Wiki).

FontFont was founded by Erik Spiekermann and Neville Brody in 1990, the year I graduated high school. The pair’s mission for the newly formed foundry was to design typography offerings that were specifically “made for designers, by designers” (MyFonts.com).

They pursued their mission of providing a wide variety of designs allowing for artists and graphic designers to both bend and break the boundaries casting aside the rules with a series of “contemporary, experimental, unorthodox, and radical” (MyFonts.com) solutions. During his early years at MetaDesign Spiekermann’s clients ranged from Berlin Transit system, BVG, the Düsseldorf Airport, and Heidelberg Printing company. Spiekermann also worked closely with automakers Volkswagen and Audi.

Spikermann authored numerous books about typography including Rhyme & Reason, A Typographic Novel in 1987 (originally released in 1982 in Germany). In 1993 his Stop Stealing Sheep & Find Out How Type Works was published by Adobe Press. After a dispute in 2001 Spiekermann left MetaDesign and started United Designers Network. He was named as Royal Designer for Industry by the Royal British Society of Arts in 2007. He received the German National Design Award for Lifetime Achievement and the TDC Medal, and a Lifetime Award from the German Art Directors Club in 2011. Erik served as creative director and the managing partner at the aptly named EdenSpiekermann, a merger with the Dutch design agency Eden Design & Communication, with offices in Berlin, Amsterdam, San Francisco, and Los Angeles beginning in 2009 through 2014. In June his involvement migrated to their advisory board giving him time to pursue a new venture, p98a, self-described as “an experimental letterpress workshop in Berlin dedicated to letters, printing and paper. We explore how letterpress can be redefined in the 21st century through research, printing, collecting, publishing and making things.”

Erik’s passion for metal type found a new dream to realize with his collaboration with Neue for Akzidenz-Grotesk® Serie 57. Neue, founded by Alexander Roth, partnered with Erik Spiekermann to bring the youngest orphan of the Akzidenz-Grotesk® Serie 57 metal type family into the digital realm. They’ve branded it as neue Serie57®. When I received my Type Specimen for Neue Serie57® from Germany signed and numbered I pinched myself. Christmas came early. Another link to The Weather Channel lies in Akzidenz Grotesk. We used this entire family including narrow and extended variations across the entire TWC network redesign from 1996–1999.

If we want to speak to people, we need to know their language. In order to design for understanding, we need to understand design.

— Erik Spiekermann, Art Historian, Printer, Type Designer, Information Architect, and Author


Does Claircognisance Feed 11:11 Intuition?

Activated intuition, imagination, and intellect all result directly from one’s wielding of claircognisance. This term is not common. It is a derivative of the idea of clairvoyance and cognizance. I prefer applying the definition as straightforward inner knowing. By swimming along my own mind’s collective consciousness I’ve discovered details previously hidden in the frameworks of my DNA. First and foremost the very meaning of life itself. No one other than archetypal transmissions from the divine taught me the answer to our most common query: why are we here? It’s simple and profound. “Boot camp.” Preparation. Period.

Take it or leave it, but this is something I’ve always known. No teacher, preacher or creature feature gave me this insight. I was contemplating this truth a month before my birth. Once I received it, I was born a month early. It appears my own boot camp started when I still had my wings. Luckily another thing I know to my core is that my wings were never clipped. They’re just invisible. I’ve been floating around the house since I arrived in nightly astral projections. Upon awaking I knew they weren’t dreams of fantasy. My flights were as real as Granddad’s center of gravity fork, spoon, and toothpick physics trick.

According to Elizabeth Gulino, ‘Clairvoyance is the ability to perceive psychic abilities using imagery; clairaudience is the ability to perceive by hearing; and claircognisance is the ability to perceive by knowing.’

— Elizabeth Gulino, refinery29.com, August 5, 2020